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It is strangely moving to learn how a reader thinks about something I’ve written. Mostly, I’ve been lucky to have reviewers who crystallise, for me, some pattern in my thinking or inchoate hope for the work. It helps me to start something new. I learn as much, perhaps, from reviews of other people’s work – other approaches, a sense of connection.
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Which poets have most influenced you?
Trying to answer this question has made me realise how often, in my reading, I am tracking lines of influence. Influence is such a chancy thing – sometimes opening out from a single image, a phrase, an involvement of syntax – and also revelatory. I first read Marianne Moore as an undergraduate. In my mind, the lines lead out from her to Barbara Guest, Elizabeth Bishop, Wallace Stevens, John Ashbery, F.T. Prince, H.D., Ezra Pound. Also as an undergraduate, I wrote an honours thesis on Emily Dickinson. Now, looking back, I realise that Dickinson’s use of prepositions – her sudden way of widening a poem out – originated my interest in John Donne. I spent years reading Donne’s poetry and prose, alongside Shakespeare, Burton, Browne, and Marvell. Reading those many-claused works must have had an effect. So, though there are other poets I like as much – Friedrich Hölderlin, Oodgeroo Noonuccal, Philip Hodgins, Martin Johnston, Antigone Kefala, Gig Ryan – Moore and Dickinson are, for me, at the start of things.
Are poems chiefly inspired or crafted?
Ideally, all the decisions that craft a poem reveal its inspiration.
What prompts a new poem?
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