It varies; and sometimes the poems forget their beginnings. I started Empirical when the Victorian government signed a contract to build an eight-lane freeway through Royal Park. I walked almost every day in the park, trying to track how memory and landscape fold in and out of each other. At the same time, I started to research the colonial history of the park. Its history was startling; the research took years. But the whole second part of Empirical started from the image of a magic lantern. I must have been in the habit, by then, of advancing digression by digression, reading old books, because that image of a magic lantern turned into a biography of Coleridge and ‘Kubla Khan’.

Lisa Gorton (photograph via Giramondo)

What have you learned from your book reviews?

It is strangely moving to learn how a reader thinks about something I’ve written. Mostly, I’ve been lucky to have reviewers who crystallise, for me, some pattern in my thinking or inchoate hope for the work. It helps me to start something new. I learn as much, perhaps, from reviews of other people’s work – other approaches, a sense of connection.

What circumstances are ideal for writing poetry?

I have fallen into a dependence on Spirax notebooks and black Uni-Ball 0.2mm Fineliners. Also, I like to have a place to walk and a place to sit down – quiet, and not too brightly lit – away from home.

Roughly how many drafts do you produce before ‘finishing’ a poem?

I work on poems for a long time, collecting bits and pieces.

Which poet would you most like to talk to – and why?

John Donne, to ask him about the secrets in his strange poem ‘Metempsychosis: The Progress of the Soul’. But I doubt that he’d tell me.

Do you have a favourite Australian poetry collection?

No. I think of Australian poetry as a long and ongoing conversation.

What do poets need most: solitude or a coterie?

Solitude, the idea of some ideal reader, and a coterie of books. The odd friend. But, while it may not be necessary, it is fun to go to readings and hear a poem in the poet’s voice.

If Plato allowed you to keep one poem or poetry collection in his Republic, what would it be?

Probably The Riverside Shakespeare.

What is your favourite line of poetry (or couplet)?

‘Unless experience be a jewel / that I have purchased at an infinite rate’, from The Merry Wives of Windsor; or Dickinson’s ‘that precarious gait / Some call experience’.

Is poetry appreciated by the reading public?

Perhaps as much as it ever was. Its true readership is worked out over years.

Lisa Gorton is a poet and novelist, essayist and reviewer. She wrote a doctorate on John Donne at Oxford University. Her awards include the Victorian Premier’s Prize for Poetry, the Philip Hodgins Memorial Medal, and the Prime Minister’s Literary Award for Fiction. Her two most recent publications, both from Giramondo, are a novel, The Life of Houses (2015), and the poetry collection Empirical, reviewed on page 65.