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October 2022, no. 447

Welcome to the October issue of ABR. This month we turn to politics of various kinds – local, national, and international. Our cover features include Clare Monagle’s irreverent take on King Charles III, Gillian Russell on recent Northern Irish fiction, Claudio Bozzi on the turbulent state of Italian politics, Peter Goldsworthy on mortality and Salman Rushdie, and Gideon Haigh on a new biography of Daniel Andrews. Also in the issue are reviews of new fiction from Robbie Arnott, Ian McEwan, Kamila Shamsie, Jock Serong, and Eliza Henry-Jones. Graeme Davison reviews Jim Davidson’s book on Clem Christesen and Stephen Murray-Smith. Other highlights include David Jack on Chip Le Grand, Peter Rose on Shannon Burns, and Anwen Crawford on Jeff Sparrow.

Miles Pattenden reviews The Invention of Power: Popes, kings, and the birth of the West by Bruce Bueno de Mesquita
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Contents Category: History
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Article Title: 'The concordat game'
Article Subtitle: Big data and the origins of the West
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We live in an age that worships data. If Covid-19 has taught us nothing else, it is that arguments advanced via assertions of statistical significance are practically impervious to criticism. Naturally, quantitative-minded academics have become the high priests of this religion, and they now seem to think they are the authorities on everything. When they cynically use trendy tools to legitimise what are really very old preconceptions, it is as if the linguistic turn and those other movements that sought to ground scholarship in careful, close-read qualitative analysis of texts and contexts never happened. At least, that is the impression one gets from reading this somewhat surreal contribution to debate about the significance of the European Middle Ages from American political scientist Bruce Bueno de Mesquita.

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Book 1 Title: The Invention of Power
Book 1 Subtitle: Popes, kings, and the birth of the West
Book Author: Bruce Bueno de Mesquita
Book 1 Biblio: Public Affairs, $42.99 hb, 345 pp
Book 1 Readings Link: https://www.booktopia.com.au/the-invention-of-power-bruce-de-mesquita/book/9781541768758.html
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We live in an age that worships data. If Covid-19 has taught us nothing else, it is that arguments advanced via assertions of statistical significance are practically impervious to criticism. Naturally, quantitative-minded academics have become the high priests of this religion, and they now seem to think they are the authorities on everything. When they cynically use trendy tools to legitimise what are really very old preconceptions, it is as if the linguistic turn and those other movements that sought to ground scholarship in careful, close-read qualitative analysis of texts and contexts never happened. At least, that is the impression one gets from reading this somewhat surreal contribution to debate about the significance of the European Middle Ages from American political scientist Bruce Bueno de Mesquita.

The Invention of Power: Popes, kings, and the birth of the West is lavishly illustrated with charts and graphs and references to incentives and game theory. Its author homes in on ‘concordats’, that is, on agreements between the pope and secular rulers which set boundaries for their respective spheres of influence. But de Mesquita is interested only in the early concordats of the twelfth century, not the later ones that changed and undermined them. Moreover, and ironically, he has resurrected one of the oldest theses about the Middle Ages: that the conflict between emperor and the pope known as the Investiture Controversy was a key catalyst of paradigmatic demise and of European modernity. The Investiture Controversy mattered because it triggered a separation of Church and State. Yet what will particularly perplex the many scholars who have pored over primary source material and the dense (often highly Teutonic) historiography on this subject is that de Mesquita’s understanding of that conflict comes across as all inside out. He posits that the prime effect of the Concordat of Worms (1122), and its counterparts between the pope and the kings of England and France in 1107, was to weaken the pope’s position and not, as the rest of us have it, to herald a golden era of papal influence and power.

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Open Page with Shannon Burns
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Custom Article Title: An interview with Shannon Burns
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Hell is predictable. Nothing changes. You are always the same, and the people around you are always the same. They say the same things, have the same thoughts, repeat the same gestures, stage the same hostilities or enthusiasms, over and over without end.

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Shannon Burns is a writer, critic and academic from Adelaide. His work has appeared in the Monthly, Meanjin, Australian Book Review, and the Sydney Review of Books. His memoir, Childhood, was released in October by Text Publishing.

 


 

If you could go anywhere tomorrow, where would it be, and why?
Greece. My grandparents emigrated from there in the 1950s, but I’ve never been, sadly. 

What’s your idea of hell?
Hell is predictable. Nothing changes. You are always the same, and the people around you are always the same. They say the same things, have the same thoughts, repeat the same gestures, stage the same hostilities or enthusiasms, over and over without end.

Not really. Hell is watching your children suffer, helplessly.

What do you consider the most specious virtue?
Chastity or purity. I want the promiscuous mess, especially in art.

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Anders Villani reviews Mirabilia: New poems by Lisa Gorton
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Contents Category: Poetry
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Article Title: Mordant marvels
Article Subtitle: A wondrous, disquieting poetry collection
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Mirabilia is the plural form of the Latin mirabile: wonderful thing, marvel. Since the publication of her first book, Press Release, in 2007, Lisa Gorton has cultivated such a voice in Australian poetry. Mordant political wit, formal and thematic bricolage, a liquid control of the line, and the ability to trace patterns across the strata of history and society – to rove between time and the timeless – have long characterised Gorton’s oeuvre. She showcases the full complement of her gifts in this wondrous and disquieting new collection.

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Book 1 Title: Mirabilia
Book 1 Subtitle: New poems
Book Author: Lisa Gorton
Book 1 Biblio: Giramondo, $25 pb, 85 pp
Book 1 Readings Link: booktopia.kh4ffx.net/VM3AE
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Mirabilia is the plural form of the Latin mirabile: wonderful thing, marvel. Since the publication of her first book, Press Release, in 2007, Lisa Gorton has cultivated such a voice in Australian poetry. Mordant political wit, formal and thematic bricolage, a liquid control of the line, and the ability to trace patterns across the strata of history and society – to rove between time and the timeless – have long characterised Gorton’s oeuvre. She showcases the full complement of her gifts in this wondrous and disquieting new collection.

Read more: Anders Villani reviews 'Mirabilia: New poems' by Lisa Gorton

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Ender Başkan reviews Bath Songs by Lia Dewey Morgan, Strange Animals by Bridget Gilmartin, eternal delight paralysis by Daniel Ward, and Can we rest tonight in the amnesia of pleasure by Shannon May Powell
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Custom Article Title: Four new poetry collections by Lia Dewey Morgan, Bridget Gilmartin, Daniel Ward, and Shannon May Powell
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Article Title: ‘Floating in nutrients’
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The poetry section is growing at the bookshop where I work. Younger readers huddle together to discuss poems. A science student buys five poetry books to read over semester break. When a retired teacher from out of town comes looking for a Judith Wright book, we get talking, I make suggestions, and he ends up dropping almost $300 on poetry titles. Customers ask for First Nations, Middle Eastern, and queer poets, and they want the canon too, they want to try anything staff find exciting. Readers are seeking ways into poetry. Is it having a(nother) renaissance? The results of this year’s Stella Prize corroborate what I’m seeing on the shop floor.

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The poetry section is growing at the bookshop where I work. Younger readers huddle together to discuss poems. A science student buys five poetry books to read over semester break. When a retired teacher from out of town comes looking for a Judith Wright book, we get talking, I make suggestions, and he ends up dropping almost $300 on poetry titles. Customers ask for First Nations, Middle Eastern, and queer poets, and they want the canon too, they want to try anything staff find exciting. Readers are seeking ways into poetry. Is it having a(nother) renaissance? The results of this year’s Stella Prize corroborate what I’m seeing on the shop floor.

And so the arrival of the Melbourne-based press no more poetry is worth examining. To date, no more poetry has published twelve books in small print runs and developed a robust local following. I am struck by the cover designs of the four publications before me. Each is a beautiful visual and tactile object: pastel-coloured, matte-finished, hand-friendly. Publishers of poetry in Australia should take note. My two grievances are the minuscule text size inside, a nightmare for anyone with visual impairment, and the unnecessary use of double line spacing.

Read more: Ender Başkan reviews 'Bath Songs' by Lia Dewey Morgan, 'Strange Animals' by Bridget Gilmartin,...

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Jessica Urwin reviews Fact or Fission: The truth about Australia’s nuclear ambitions by Richard Broinowski
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Contents Category: Politics
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Article Title: Nuclear Australia
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On 15 September 2021, Scott Morrison announced his government’s commitment to a defence pact and nuclear submarine deal with the United Kingdom and United States. Abbreviated to AUKUS, this collaboration sent shockwaves through ranks of diplomats, security analysts, anti-nuclear advocates, and members of the Australian public. In signing the AUKUS pact, Morrison signalled Australia’s termination of a $90 billion submarine deal with the French government and reignited concern over Australia’s role in fuelling nuclear proliferation and potential conflict. Drawing upon ‘insider’ knowledge as a former diplomat, Richard Broinowski has contributed to the discussion by placing AUKUS in its historical context in an updated edition of his book Fact or Fission? The truth about Australia’s nuclear ambitions, originally published in 2003.

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Article Hero Image Caption: Great Britain tests its first atomic weapon at the Montebello Islands off the coast of north-western Australia, 1952 (photograph via Granger/Historical Picture Archive/Alamy)
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Book 1 Title: Fact or Fission
Book 1 Subtitle: The truth about Australia’s nuclear ambitions
Book Author: Richard Broinowski
Book 1 Biblio: Scribe, $35 pb, 352 pp
Book 1 Readings Link: booktopia.kh4ffx.net/kjr4ML
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On 15 September 2021, Scott Morrison announced his government’s commitment to a defence pact and nuclear submarine deal with the United Kingdom and United States. Abbreviated to AUKUS, this collaboration sent shockwaves through ranks of diplomats, security analysts, anti-nuclear advocates, and members of the Australian public. In signing the AUKUS pact, Morrison signalled Australia’s termination of a $90 billion submarine deal with the French government and reignited concern over Australia’s role in fuelling nuclear proliferation and potential conflict. Drawing upon ‘insider’ knowledge as a former diplomat, Richard Broinowski has contributed to the discussion by placing AUKUS in its historical context in an updated edition of his book Fact or Fission? The truth about Australia’s nuclear ambitions, originally published in 2003.

Read more: Jessica Urwin reviews 'Fact or Fission: The truth about Australia’s nuclear ambitions' by Richard...

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