Accessibility Tools

  • Content scaling 100%
  • Font size 100%
  • Line height 100%
  • Letter spacing 100%

June 2021, no. 432

ABR has added an eleventh issue in 2021 – at no extra cost to subscribers – brimming with commentary, review essays, and creative writing. Ilana Snyder contextualises the recent turmoil in Israel and Palestine; Hessom Razavi turns our attention to the plight of refugees detained by Australia; Declan Fry examines the writings of Stan Grant; James Boyce laments the state of salmon-farming industry in Tasmania; and Martin Thomas revisits Patrick White three decades after his death. Elsewhere, explore a new short story by Josephine Rowe; poetry by Omar Sakr, Sarah Holland-Batt, and Derrick Austin; and much more.

This issue is generously funded by Matthew Sandblom and Wendy Beckett’s Blake Beckett Fund.

Matthew R. Crawford reviews Lost in Thought by Zena Hitz and The Battle of the Classics by Eric Adler
Free Article: No
Contents Category: Philosophy
Review Article: Yes
Show Author Link: Yes
Article Title: A common core
Article Subtitle: New ways of defending intellectual life
Online Only: Yes
Custom Highlight Text:

The higher education sector currently faces a confluence of challenges that are imperilling the future of universities as they have traditionally been understood and the sort of intellectual life they have long sustained. The most immediately pressing concern is the impact of the pandemic that has eroded the financial stability of Australian universities, resulting in widespread job losses and the closure of entire departments. Overall state funding for higher education has in fact grown slightly over the past decade, but this increase has coincided with ever more complex and invasive attempts by governments to ensure that tax dollars are ‘well spent’, such as the Excellence in Research for Australia (ERA) exercise that began in 2010, the Engagement and Impact Assessment (EI) implemented in 2018, and the National Interest Test (NIT) introduced in 2019 for all applications for funding to the Australian Research Council. The impact of these efforts is felt across all academic disciplines, but some are hit harder than others, often by design, such as last year’s Job-ready Graduates Package, which has made most humanities degrees vastly more expensive than other subjects thought to lead to better employment outcomes.

Related Article Image (300px * 400px):
Featured Image (400px * 250px):
Book 1 Title: Lost in Thought
Book Author: Zena Hitz
Book 1 Biblio: Princeton University Press, $42.99 hb, 240 pp
Book 1 Readings Link: booktopia.kh4ffx.net/ZdVqAX
Book 2 Title: The Battle of the Classics
Book 2 Author: Eric Adler
Book 2 Biblio: Oxford University Press, £22.99 hb, 272 pp
Book 2 Cover Small (400 x 600):
Book 2 Cover (800 x 1200):
Book 2 Cover Path (no longer required): images/1_SocialMedia/2021/June_2021/81VPR6frz-L.jpg
Book 2 Readings Link: booktopia.kh4ffx.net/gbRJEA
Display Review Rating: No

The higher education sector currently faces a confluence of challenges that are imperilling the future of universities as they have traditionally been understood and the sort of intellectual life they have long sustained. The most immediately pressing concern is the impact of the pandemic that has eroded the financial stability of Australian universities, resulting in widespread job losses and the closure of entire departments. Overall state funding for higher education has in fact grown slightly over the past decade, but this increase has coincided with ever more complex and invasive attempts by governments to ensure that tax dollars are ‘well spent’, such as the Excellence in Research for Australia (ERA) exercise that began in 2010, the Engagement and Impact Assessment (EI) implemented in 2018, and the National Interest Test (NIT) introduced in 2019 for all applications for funding to the Australian Research Council. The impact of these efforts is felt across all academic disciplines, but some are hit harder than others, often by design, such as last year’s Job-ready Graduates Package, which has made most humanities degrees vastly more expensive than other subjects thought to lead to better employment outcomes.

These realities are well known and often lamented. Corresponding attempts to justify the existence and mission of universities are not uncommon, typically falling into two categories: one that is economic, and one that is moral or political. First, defenders of the university will highlight the economic benefits they bring to society, such as the way a given subject instils skills (e.g. ‘critical thinking’) deemed necessary for employment. A second response often heard from humanities scholars claims that these disciplines play an indispensable role in diagnosing society’s ills thanks to their ability to identify past injustices and ongoing systems of power and oppression (frequently in the academy itself) that must be uncovered to make the world a better place.

Two recent books suggest alternative ways of justifying the existence of the university in the modern world, offering stimulating and fresh accounts whose disagreements are as noteworthy as their continuities. Zena Hitz’s Lost in Thought is a cri de cœur from an Ivy-league trained scholar of ancient philosophy whose disillusionment at the lack of moral relevance of academia led her to abandon her comfortable post in the ivory tower to join a Catholic religious order in the remote Canadian wilderness. Through spending several years pursuing an ordinary, simple life amid a close-knit community, she unexpectedly regained her sense of vocation and returned to teaching undergraduates. Lost in Thought has the primary aim of similarly reigniting the spark within academics whose joy in their profession has been snuffed out by the demands of their career. Aware of the problematic élitism her project might encourage, she broadens the appeal of her book by taking care to present academics as the mere stewards of a kind of intellectual activity to which all humans have access.

Hitz believes that people are moved more by images and stories than by deductive argument, and thus presents her case through a well-chosen assemblage of evocative source material. Her vision of the life of the mind focuses not on specific content but instead takes in intellectual investigation of any topic, so long as it is pursued in a certain manner. Consequently, she introduces her readers not only to Augustine’s Confessions and Elena Ferrante’s Neapolitan novels, but also to Einstein’s patent office and John Baker’s 1967 The Peregrine, along with activists like Malcolm X and Dorothy Day. From this rich collection she draws the argument that certain goods are intrinsic to human flourishing, and that one such good is unhindered intellectual enquiry, which nourishes the inner life, provides a refuge from suffering, and sustains human dignity. Such rich benefits do not come easy but instead require the ascetic practice of setting aside preconceived ideas, ignoring the allure of comfort, wealth, and social superiority, and cultivating a heightened sense of perception that enables one to confront reality as it is and to press on for ever deeper insights. Hitz insists that the intellectual life is inevitably distorted when one attempts to make it useful for some more important goal, even laudable moral or political agendas, since doing so restricts the free exercise of the intellect in its dogged pursuit of reality. On the contrary, the life of the mind certainly is useful, but only when it is allowed to abide in its uselessness, for it is this freedom of the inner life that grounds a variety of possibilities for acting in the world.

 

Eric Adler’s The Battle of the Classics has a more restricted subject matter and is presented in a more traditionally academic style, recounting an episode in the history of American higher education that should, he argues, inform contemporary apologetic efforts on behalf of the humanities. After providing a cursory overview of the history of the humanities from Cicero to the emergence of the modern research university in the nineteenth century, Adler zooms in on a debate that occurred among élite American universities in the 1880s and 1890s. The idea of ‘mental discipline’, their equivalent to our ‘critical thinking’, figured prominently in defences of the traditional Latin- and Greek-based curriculum as inroads were being made by the natural sciences. The traditionalists lost this battle, as is evident from the fact that by 1886 Harvard no longer required Greek in its admission exam. Moreover, thanks to president Charles W. Eliot’s Darwinian assumption that academic disciplines would be strongest if forced to compete for students in a free market, by 1897 Harvard’s once entirely prescribed curriculum had been thrown open to student choice, with but one compulsory class remaining. Adler contends that such failures resulted from a reliance upon a skills-based apologetic rather than any specific content that distinguishes humanities disciplines.

The hero of Adler’s story is Irving Babbitt, professor at Harvard from 1894 until 1933 and the leading light of the New Humanism movement that proved influential and controversial in the first third of the twentieth century. Babbitt opposed the romantic view that human nature is basically good and simply in need of being freed from the shackles of corrupting traditions and institutions (what he termed ‘sentimental naturalism’). In its place he offered a humanistic program of self-improvement: one should glean from the wisdom of the past by critically analysing cultural masterworks to identify the best accounts of the good life that can benefit contemporary society. It is this kind of apologia for the humanities that Adler argues should replace the skills-oriented approach so common today. This may sound like a reassertion of the now widely rejected ‘western civilisation’ take on the humanities, with its attendant ‘great books’ pedagogy, but Adler insists that, because no culture has a monopoly on greatness, scholars should draw eclectically across traditions to identify both the universality and particularity of the human experience.

What unites these books is their argument that attempts to justify the place of universities in the modern world can only succeed if they are grounded in the common humanity of those who undertake such pursuits. In current political and academic rhetoric, the prevailing emphasis falls upon the distinctive experience and identity of particular groups based upon race, gender, sexual orientation, disability and so on. Consequently, the most radical idea in these books is their insistence that there is a common core to human experience, and that attending to and cultivating it should be the primary aim of the intellectual life fostered by the university. Where the books diverge is in their characterisation of the usefulness of such endeavours. Adler is forthright that we should follow the Renaissance humanists and Babbitt in using the humanities for self-improvement. Thus, though he avoids the instrumentality of the skills-based defense, his own proposal nevertheless makes the humanities instrumental to this more fundamental moral imperative. Hitz, on the contrary, argues that the intellectual life is a basic human good that loses its usefulness as soon as one attempts to make it instrumental to anything, even something so noble as self-improvement or the pursuit of social justice. On this view, exercises like ERA and NIT inevitably debase the intellectual life of universities and unwittingly undermine the very benefit to society they attempt to measure.

Both books offer accounts of the university that helpfully go beyond the current state of the discussion. Adjudicating between the two proposals, or perhaps synthesising them, would push the conversation in a still more fruitful direction.

Write comment (0 Comments)
Ben Brooker reviews Animal Dreams by David Brooks
Free Article: No
Contents Category: Philosophy
Review Article: Yes
Show Author Link: Yes
Article Title: ‘The world is a dark poem’
Article Subtitle: Admitting the voices of the non-human
Online Only: Yes
Custom Highlight Text:

Four kangaroos recently moved into the paddock that adjoins the house on Peramangk Country in the Adelaide Hills where I live. For weeks I had been conscious of distant gunfire, not the usual firing of the gas guns that wineries use to keep birds off their vines. I concluded that the kangaroos had been driven here by a cull. The goats, Charles and Hamlet, and the sheep, Lauren and Ingrid, who call the paddock home, seemed unperturbed by the roos’ presence. But what, I wondered, did all these animals think about one another? What, indeed, did they think about me?

Featured Image (400px * 250px):
Book 1 Title: Animal Dreams
Book Author: David Brooks
Book 1 Biblio: Sydney University Press, $40 pb, 290 pp
Book 1 Readings Link: booktopia.kh4ffx.net/QOY0r3
Display Review Rating: No

Four kangaroos recently moved into the paddock that adjoins the house on Peramangk Country in the Adelaide Hills where I live. For weeks I had been conscious of distant gunfire, not the usual firing of the gas guns that wineries use to keep birds off their vines. I concluded that the kangaroos had been driven here by a cull. The goats, Charles and Hamlet, and the sheep, Lauren and Ingrid, who call the paddock home, seemed unperturbed by the roos’ presence. But what, I wondered, did all these animals think about one another? What, indeed, did they think about me?

These are the sorts of questions that poet, novelist, short fiction writer, and essayist David Brooks, one of Australia’s pre-eminent thinkers on the subject of human–animal relations, asks in his new collection, Animal Dreams, which anthologises seventeen essays written between 2007 and 2019. Following Derrida’s Breakfast (2016) and The Grass Library (2019), it is the third volume in what Brook says will be a sestet or septet of works on the lives of animals.

Read more: Ben Brooker reviews 'Animal Dreams' by David Brooks

Write comment (0 Comments)
Felicity Chaplin reviews Women vs Hollywood: The fall and rise of women in film by Helen O’Hara
Free Article: No
Contents Category: Film
Review Article: Yes
Show Author Link: Yes
Article Title: A rigged game
Article Subtitle: Hollywood’s long history of misogyny
Online Only: No
Custom Highlight Text:

In recent years, Hollywood has been forced to take a long hard look at itself. Since Alyssa Milano popularised the hashtag #MeToo in 2017, and the Time’s Up movement was launched in 2018, women in the film industry have been sharing their stories of sexism, discrimination, sexual harassment, and sexual assault. Film critic Helen O’Hara’s Women vs Hollywood is not the first attempt at a revisionist history of the Hollywood film industry. Several books have appeared that reread Hollywood through a feminist lens: Laura L.S. Bauer’s Hollywood Heroines: The most influential women in film history (2018), Jill Tietjen and Barbara Bridges’ Hollywood: Her story, an illustrated history of women and the movies (2019), and Naomi McDougall Jones’s The Wrong Kind of Women: Inside our revolution to dismantle the gods of Hollywood (2020).

Featured Image (400px * 250px):
Book 1 Title: Women vs Hollywood
Book 1 Subtitle: The fall and rise of women in film
Book Author: Helen O’Hara
Book 1 Biblio: Robinson, $32.99 pb, 354 pp
Book 1 Author Type: Author
Book 1 Readings Link: booktopia.kh4ffx.net/P0zRMN
Display Review Rating: No

In recent years, Hollywood has been forced to take a long hard look at itself. Since Alyssa Milano popularised the hashtag #MeToo in 2017, and the Time’s Up movement was launched in 2018, women in the film industry have been sharing their stories of sexism, discrimination, sexual harassment, and sexual assault. Film critic Helen O’Hara’s Women vs Hollywood is not the first attempt at a revisionist history of the Hollywood film industry. Several books have appeared that reread Hollywood through a feminist lens: Laura L.S. Bauer’s Hollywood Heroines: The most influential women in film history (2018), Jill Tietjen and Barbara Bridges’ Hollywood: Her story, an illustrated history of women and the movies (2019), and Naomi McDougall Jones’s The Wrong Kind of Women: Inside our revolution to dismantle the gods of Hollywood (2020). They share the view, as O’Hara’s opening observation puts it, that ‘the Hollywood dream has not been open to everyone and, with a large majority of roles and senior jobs going to men, its scales have often been tilted against women’. Hollywood is – or has been for a long time – a ‘rigged game’.

Read more: Felicity Chaplin reviews 'Women vs Hollywood: The fall and rise of women in film' by Helen O’Hara

Write comment (0 Comments)
Jane Clark reviews Picturing a Nation: The art and life of A.H. Fullwood by Gary Werskey
Free Article: No
Contents Category: Biography
Review Article: Yes
Show Author Link: Yes
Article Title: ‘The sun is still shining’
Article Subtitle: Bringing A.H. Fullwood into the light
Online Only: No
Custom Highlight Text:

Far too few Australian artists have been the subject of comprehensive biographies. Gary Werskey mentions Humphrey McQueen’s 784-page Tom Roberts (1996) as an inspiration. Of course, there are art monographs and retrospective exhibition catalogues, but those are not life stories. With seventy-six colour plates and another fifty-one images in the text, Werskey’s thoroughly researched Picturing a Nation, set in rich historical and social context, is most welcome. As he observes, A.H. Fullwood’s life was ‘as full of pathos and plot turns as a three-volume Victorian novel’.

Book 1 Title: Picturing a Nation
Book 1 Subtitle: The art and life of A.H. Fullwood
Book Author: Gary Werskey
Book 1 Biblio: NewSouth, $49.99 hb, 416 pp
Book 1 Readings Link: booktopia.kh4ffx.net/Xx4G74
Display Review Rating: No

Far too few Australian artists have been the subject of comprehensive biographies. Gary Werskey mentions Humphrey McQueen’s 784-page Tom Roberts (1996) as an inspiration. Of course, there are art monographs and retrospective exhibition catalogues, but those are not life stories. With seventy-six colour plates and another fifty-one images in the text, Werskey’s thoroughly researched Picturing a Nation, set in rich historical and social context, is most welcome. As he observes, A.H. Fullwood’s life was ‘as full of pathos and plot turns as a three-volume Victorian novel’.

Read more: Jane Clark reviews 'Picturing a Nation: The art and life of A.H. Fullwood' by Gary Werskey

Write comment (0 Comments)
Lisa Gorton reviews Beowulf: A new translation translated by Maria Dahvana Headley
Free Article: No
Contents Category: Poetry
Review Article: Yes
Show Author Link: Yes
Article Title: Sparrow in winter
Article Subtitle: A new translation of Beowulf
Online Only: No
Custom Highlight Text:

Only one manuscript of Beowulf has survived. It was in Sir Robert Cotton’s library. Cotton had been a student of that careful genius William Camden, who, through a lifetime’s work, formulated a different view of history: not the record of victory but the recollection of lost worlds and times. He and his fellow Antiquarians searched out fragments and ruins: Roman urns in the fields, Saxon burials under St Paul’s, a giant’s thigh-bone under a London cellar. They collected ancient manuscripts.

Featured Image (400px * 250px):
Book 1 Title: Beowulf
Book 1 Subtitle: A new translation
Book Author: Maria Dahvana Headley
Book 1 Biblio: Scribe, $27.99 pb, 176 pp
Book 1 Readings Link: booktopia.kh4ffx.net/JrkOn7
Display Review Rating: No

Only one manuscript of Beowulf has survived. It was in Sir Robert Cotton’s library. Cotton had been a student of that careful genius William Camden, who, through a lifetime’s work, formulated a different view of history: not the record of victory but the recollection of lost worlds and times. He and his fellow Antiquarians searched out fragments and ruins: Roman urns in the fields, Saxon burials under St Paul’s, a giant’s thigh-bone under a London cellar. They collected ancient manuscripts.

From the age of eighteen, Cotton began to amass his library. When he heard that the astrologer and alchemist John Dee had buried a bundle of manuscripts in a field, Cotton ‘bought the field to digge after it’ (John Aubrey, Brief Lives). He found a copy of the Magna Carta in a tailor’s workshop. He bought the whole room in Fotheringay Castle where Mary Stuart was beheaded and had it rebuilt in his own house.

Read more: Lisa Gorton reviews 'Beowulf: A new translation' translated by Maria Dahvana Headley

Write comment (0 Comments)