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March 2005, no. 269

Welcome to the March 2005 issue of Australian Book Review.

John Thompson reviews Tales Of Two Hemispheres: Boyer Lectures 2004 by Peter Conrad
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Contents Category: Memoir
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At the age of twenty, Peter Conrad slammed his Australian door shut behind him. He was travelling into the ‘wider world’, away from his native Tasmania to take up his Rhodes scholarship at Oxford; he went with barely a backwards glance. Growing up as an omnivorous reader of English literature in the years of what he has called his ‘colonial childhood’, the young Conrad had become increasingly resentful at the perverse randomness of his exile. What he could only think of as an administrative error had relegated him to an Australia that seemed vacant and vacuous. When his time came, he ruthlessly withdrew his affection from parents and country. This snake-like shedding of skin was his liberation. Crossing Waterloo Bridge in August 1968, he had – like Wordsworth before him – a moment of epiphany. As the bridge ‘ran out into the Aldwych in a sunny crux of blue dust’, the young Conrad passed innocuously through the door by which he stepped into life. In confessional mode, he later celebrated this as the exact moment of his birth. That was when the years of his Australian youth were cancelled out, relegated to a phase of mere ‘pre-existence’.

Book 1 Title: Tales Of Two Hemispheres
Book 1 Subtitle: Boyer Lectures 2004
Book Author: Peter Conrad
Book 1 Biblio: ABC Books, $22.95 pb, 163 pp, 0733315151
Book 1 Author Type: Author
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At the age of twenty, Peter Conrad slammed his Australian door shut behind him. He was travelling into the ‘wider world’, away from his native Tasmania to take up his Rhodes scholarship at Oxford; he went with barely a backwards glance. Growing up as an omnivorous reader of English literature in the years of what he has called his ‘colonial childhood’, the young Conrad had become increasingly resentful at the perverse randomness of his exile. What he could only think of as an administrative error had relegated him to an Australia that seemed vacant and vacuous. When his time came, he ruthlessly withdrew his affection from parents and country. This snake-like shedding of skin was his liberation. Crossing Waterloo Bridge in August 1968, he had – like Wordsworth before him – a moment of epiphany. As the bridge ‘ran out into the Aldwych in a sunny crux of blue dust’, the young Conrad passed innocuously through the door by which he stepped into life. In confessional mode, he later celebrated this as the exact moment of his birth. That was when the years of his Australian youth were cancelled out, relegated to a phase of mere ‘pre-existence’.


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Read more: John Thompson reviews 'Tales Of Two Hemispheres: Boyer Lectures 2004' by Peter Conrad

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Free Article: No
Contents Category: Letters
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Article Title: Samara's Wrought Iron Butterfly
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I have come to the city of Samara a second time, to visit a Russian friend I first met in St Louis. The city lies 1000 kilometres south-east of Moscow, and stands at the confluence of two wide rivers, the Volga and the Samara. Founded in 1586 as a small fortress, it now has more than one million inhabitants. The Samara region, rich in oil and minerals, is reputed to have the highest per capita wealth of any region after Moscow.

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I have come to the city of Samara a second time, to visit a Russian friend I first met in St Louis. The city lies 1000 kilometres south-east of Moscow, and stands at the confluence of two wide rivers, the Volga and the Samara. Founded in 1586 as a small fortress, it now has more than one million inhabitants. The Samara region, rich in oil and minerals, is reputed to have the highest per capita wealth of any region after Moscow.

Read more: 'Samara's Wrought Iron Butterfly' by Judith Bishop

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Lisa Gorton reviews Surrender by Sonya Hartnett
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Contents Category: Fiction
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If you are regretting the passage of another summer and feeling nostalgic about the lost freedoms of youth, Sonya Hartnett’s latest novel, Surrender, may serve as a useful tonic. In Hartnett’s world, children possess little and control less, dependent as they are on adults and on their own capacity to manipulate, or charm ...

Book 1 Title: Surrender
Book Author: Sonya Hartnett
Book 1 Biblio: Viking, $29.95 hb, 245 pp, 0 670 02871 1
Book 1 Author Type: Author
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If you are regretting the passage of another summer and feeling nostalgic about the lost freedoms of youth, Sonya Hartnett’s latest novel, Surrender, may serve as a useful tonic. In Hartnett’s world, children possess little and control less, dependent as they are on adults and on their own capacity to manipulate, or charm. Hartnett characteristically writes about lonely children in cruel or careless families, in places that offer no relief. Perhaps it is the conflict that Hartnett marks out between children and adults that makes the distinction between her children’s and adult fiction hard to draw; for it seems we can identify at any age with a sense that the world belongs to someone else. Besides, Hartnett’s novels deal with terrors that last.

If they ever cull the optimists, Hartnett will survive. Her novels tell of abducted children, alcoholism, incest, murder, and depression. She is probably best known for her novel Of a Boy (2002), which won the Commonwealth Writer’s Prize and The Age Book of the Year Award. She also won the Guardian Children’s Fiction Prize with Thursday’s Child (2000), the story of an isolated family struggling to survive the Depression. Surrender is not as hauntingly sad as Of a Boy, and it does not have the grittiness of Thursday’s Child. Still, it may be her most curious and compelling novel yet.

Surrender, set in an isolated country town called Mulyan, ‘ringed by shark-tooth mountains … far, far away’, tells of the town’s pariah family. The son, who calls himself Gabriel, starts the story on his deathbed: ‘I am dying: it’s a beautiful word. Like the long slow sigh of a cello: dying. But the sound of it is the only beautiful thing about it.’ In this way, Surrender starts where it ends and spends its time circling around one gruesome fact: Gabriel has found bones in a shallow grave in the woods. As a result, the whole forward movement of the story is suspense, fearful curiosity, and delay.

Read more: Lisa Gorton reviews 'Surrender' by Sonya Hartnett

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Alastair Jackson reviews The Opera Lovers Companion by Charles Osborne
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Contents Category: Opera
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Charles Osborne, who was born in Brisbane in 1927 and moved to London in 1953, is a prolific writer, broadcaster and opera critic. His latest offering, The Opera Lover’s Companion, sets out to guide its reader through 175 of the world’s most popular operas. Osborne correctly states that ‘the staples of the operatic diet today are the major works of five great composers – Mozart, Verdi, Wagner, Puccini, and Strauss’ – and certain works by other luminaries. The operas of sixty-seven composers are included, but that core quintet gives us almost a third of the operas in this volume. Interestingly, in opera’s four hundred-year history, the vast majority of the most frequently performed works fall within the period between Mozart’s first featured opera, Mitridate, rè di Ponto (1770) and Strauss’s last, Capriccio (1942).

As with The New Kobbé’s Opera Book (1997), the list reveals a re-evaluation of many previously neglected operas, in particular some lesser-known works of Handel, Rossini, Donizetti, Massenet, and Strauss, which have enjoyed a renaissance in recent years. Doubtless this also reflects the dearth of modern operas and the scarcity of contemporary composers who know what their audiences want. Any opera company ignoring box office appeal does so at its peril, and a book such as this should be mandatory reading.

Book 1 Title: The Opera Lover's Companion
Book Author: Charles Osborne
Book 1 Biblio: Yale University Press, $87.95 hb, 639 pp, 0300104405
Book 1 Author Type: Author
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Charles Osborne, who was born in Brisbane in 1927 and moved to London in 1953, is a prolific writer, broadcaster and opera critic. His latest offering, The Opera Lover’s Companion, sets out to guide its reader through 175 of the world’s most popular operas. Osborne correctly states that ‘the staples of the operatic diet today are the major works of five great composers – Mozart, Verdi, Wagner, Puccini, and Strauss’ – and certain works by other luminaries. The operas of sixty-seven composers are included, but that core quintet gives us almost a third of the operas in this volume. Interestingly, in opera’s four hundred-year history, the vast majority of the most frequently performed works fall within the period between Mozart’s first featured opera, Mitridate, rè di Ponto (1770) and Strauss’s last, Capriccio (1942).

As with The New Kobbé’s Opera Book (1997), the list reveals a re-evaluation of many previously neglected operas, in particular some lesser-known works of Handel, Rossini, Donizetti, Massenet, and Strauss, which have enjoyed a renaissance in recent years. Doubtless this also reflects the dearth of modern operas and the scarcity of contemporary composers who know what their audiences want. Any opera company ignoring box office appeal does so at its peril, and a book such as this should be mandatory reading.


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Read more: Alastair Jackson reviews 'The Opera Lover's Companion' by Charles Osborne

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Nick Drayson reviews ‘Australian Magpie: Biology and behaviour of an unusual songbird’ by Gisela Kaplan and ‘Kookaburra: King of the bush’ by Sarah Legge
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Contents Category: Nature Writing
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Article Title: Only a Mother Could Love Them
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In the old days, it was easy. The eagle was a large bird with sharp talons for gripping and a hooked beak for tearing prey; the swallow was a fast-flying bird that left our shores each winter to seek warmer climes. But since Charles Darwin, we can’t say that anymore, because the very language of such descriptions implies purpose – either will (the swallow somehow knowing, planning, its migration) or design.

Book 1 Title: Australian Magpie
Book 1 Subtitle: Biology and behaviour of an unusual songbird
Book Author: Gisela Kaplan
Book 1 Biblio: CSIRO Publishing, $39.95pb, 152pp, 0 643 09068 1
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Book 2 Title: Kookaburra
Book 2 Subtitle: King of the bus
Book 2 Author: Sarah Legge
Book 2 Biblio: CSIRO Publishing, $34.95pb, 144pp, 0 643 09063 0
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In the old days, it was easy. The eagle was a large bird with sharp talons for gripping and a hooked beak for tearing prey; the swallow was a fast-flying bird that left our shores each winter to seek warmer climes. But since Charles Darwin, we can’t say that anymore, because the very language of such descriptions implies purpose – either will (the swallow somehow knowing, planning, its migration) or design.

Read more: Nick Drayson reviews ‘Australian Magpie: Biology and behaviour of an unusual songbird’ by Gisela...

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