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March 2010, no. 319

Welcome to the March 2010 issue of Australian Book Review.

Stephanie Owen Reeder reviews Baby Wombat’s Week by Jackie French and Bruce Whatley, Jasper & Abby and the Great Australia Day Kerfuffle by Rhys Muldoon and Kevin Rudd, and others
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Contents Category: Children's Fiction
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Article Title: Kerfuffle in the Lodge
Article Subtitle: Seven new children’s picture books
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In the 1970s and 1980s many Australian children’s picture books had a distinctly Australian look. The local landscape, flora, and fauna predominated, and unique Australian characters abounded. Today, it is much harder to pick an Australian picture book. Globalisation and market imperatives have led authors to broaden their subject matter, and illustrators have adapted their styles so that a more universal sensibility imbues their work. 

Book 1 Title: Baby Wombat's Week
Book Author: Jackie French & Bruce Whatley
Book 1 Biblio: Angus & Robertson, $24.99 hb, 32 pp
Book 1 Author Type: Author
Book 2 Title: Jasper & Abby and the Great Australia Day Kerfuffle
Book 2 Author: Kevin Rudd & Rhys Muldoon
Book 2 Biblio: Allen & Unwin, $24.99 hb, 24 pp
Book 2 Author Type: Author
Book 2 Cover Small (400 x 600):
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In the 1970s and 1980s many Australian children’s picture books had a distinctly Australian look. The local landscape, flora, and fauna predominated, and unique Australian characters abounded. Today, it is much harder to pick an Australian picture book. Globalisation and market imperatives have led authors to broaden their subject matter, and illustrators have adapted their styles so that a more universal sensibility imbues their work.

Unashamedly Australian books do still make an appearance, however. In Baby Wombat’s Week, Jackie French and Bruce Whatley reprise the format of their hugely popular Diary of a Wombat (2002). Mothball is now a mum, and this gorgeous book details a week in the life of her baby, who is joined by a human child. Whatley entertainingly animates and interprets French’s minimalist yet enthusiastic text. The totally endearing baby wombat trundles self-assuredly through the pages, leaving disasters in his wake. The interactions between the two babies – human and wombat – are particularly appealing, and the final image is an absolute delight. There is no doubt that this hilarious sequel will be as popular as the original.

It seems that many celebrities think that writing a children’s book is child’s play. Actor Rhys Muldoon and Prime Minister Kevin Rudd, who have co-written Jasper & Abby and the Great Australia Day Kerfuffle, have fallen into this trap, unaware that, while it may be easy to come up with a story for children, crafting a good picture-book text is far more complex.

All in all, though, Rudd and Muldoon have not done a bad job. The story moves along snappily, with some nice alliterative flourishes, like the knitting ‘nannas from Nambour’. Muldoon, a former Playschool presenter who obviously knows what appeals to children, has included plenty of food, animals, and slapstick humour. However, the text tends to be overwritten and should have been pruned to allow more room for the illustrations to tell their story.

Carla Zapel’s loose-lined watercolour illustrations, though sometimes cluttered, are full of movement and visual interest. She is at her best depicting Jasper and Abby, the prime minister’s cat and dog. They are the stars of this simple tale about Australia Day celebrations at The Lodge that are sabotaged by an overenthusiastic pooch. The idea is nice, the story fun, but the overall presentation is somewhat lacklustre. Proceeds from the sale of the book go to the Centre for Community Child Health at the Royal Children’s Hospital, in Melbourne.

Read more: Stephanie Owen Reeder reviews 'Baby Wombat’s Week' by Jackie French and Bruce Whatley, 'Jasper &...

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Richard Harding reviews The Unforgiving Rope by Simon Adams
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Contents Category: Australian History
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Article Title: 'If I English, I not be hung'
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Simon Adams’s thesis is that capital punishment was crucial in how the West was won: ‘The gallows were a potent symbol of an unforgiving social order that was determined to stamp its moral authority over one-third of the Australian continent.’ But hanging was discriminatory; it ‘was never applied fairly or impartially in Western Australia’. Adams points to the fact that ‘there were 17 men hanged between 1889 and 1904, all of whom were “foreigners”: two Afghans, six Chinese, one Malay, two Indians, one Greek, one Frenchman and four Manilamen’, but not a single ‘Britisher’. Capital punishment was racist, reflecting the ‘distortions and prejudices of the British colonial legal system’.

Book 1 Title: The Unforgiving Rope
Book 1 Subtitle: Murder and hanging on Australia's western frontier
Book Author: Simon Adams
Book 1 Biblio: UWA Publishing, $32.95 pb, 310 pp
Book 1 Author Type: Author
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Simon Adams’s thesis is that capital punishment was crucial in how the West was won: ‘The gallows were a potent symbol of an unforgiving social order that was determined to stamp its moral authority over one-third of the Australian continent.’ But hanging was discriminatory; it ‘was never applied fairly or impartially in Western Australia’. Adams points to the fact that ‘there were 17 men hanged between 1889 and 1904, all of whom were “foreigners”: two Afghans, six Chinese, one Malay, two Indians, one Greek, one Frenchman and four Manilamen’, but not a single ‘Britisher’. Capital punishment was racist, reflecting the ‘distortions and prejudices of the British colonial legal system’.

Read more: Richard Harding reviews 'The Unforgiving Rope' by Simon Adams

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Contents Category: Poem
Custom Article Title: 'In the Inner West' by Rhyll McMaster
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we live with myriad trees
brush boxes engulf our balconies
October skins bursting pistachio green

beneath in bark litter
Chinese boys carry lattes
crack basketballs down the middle seam

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we live with myriad trees
brush boxes engulf our balconies
October skins bursting pistachio green

beneath in bark litter
Chinese boys carry lattes
crack basketballs down the middle seam

Read more: 'In the Inner West' by Rhyll McMaster

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James Ley reviews A New Literary History of America edited by Greil Marcus and Werner Sollors
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Contents Category: Literary Studies
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Article Title: Everything in motion
Article Subtitle: Radical inclusiveness in a new literary history of the USA
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Cynthia Ozick’s most recent collection of criticism, The Din in the Head (2006), contains a brief but engaging essay called ‘Highbrow Blues’. It begins with her musing about a gaffe made by Jonathan Franzen following the publication of The Corrections (2002). Oprah Winfrey had selected Franzen’s novel for her televised book club, which was popular enough to turn any work she chose into a bestseller, but Franzen was uncomfortable with her program’s folksiness. He felt that the club’s reputation for featuring works of middlebrow fiction did not fit with his literary ambitions and that an appearance on the Oprah Winfrey Show was not likely to enhance his credibility. ‘I feel,’ he explained, ‘like I’m solidly in the high-art literary tradition.’ Brickbats flew from all directions. But why, wonders Ozick, did Franzen’s remark seem so jejune?

Book 1 Title: A New Literary History of America
Book Author: Greil Marcus and Werner Sollors
Book 1 Biblio: Harvard University Press, $95 hb, 1,122 pp
Book 1 Author Type: Editor
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Cynthia Ozick’s most recent collection of criticism, The Din in the Head (2006), contains a brief but engaging essay called ‘Highbrow Blues’. It begins with her musing about a gaffe made by Jonathan Franzen following the publication of The Corrections (2002). Oprah Winfrey had selected Franzen’s novel for her televised book club, which was popular enough to turn any work she chose into a bestseller, but Franzen was uncomfortable with her program’s folksiness. He felt that the club’s reputation for featuring works of middlebrow fiction did not fit with his literary ambitions and that an appearance on the Oprah Winfrey Show was not likely to enhance his credibility. ‘I feel,’ he explained, ‘like I’m solidly in the high-art literary tradition.’ Brickbats flew from all directions. But why, wonders Ozick, did Franzen’s remark seem so jejune?

Read more: James Ley reviews 'A New Literary History of America' edited by Greil Marcus and Werner Sollors

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