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September 2003, no. 254

Welcome to the September 2003 issue of Australian Book Review!

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Contents Category: Children's Fiction
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Article Title: Maintain YourOrder
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Making sense of the randomness of human existence, stories present an adult perspective as to how best we can conduct ourselves. Nearly all children’s books carry the message that society must be accommodated and that there is a way of behaving that will allow that to happen. These seven picture books tell a story and supply visual images to reinforce the telling. (Bruce Whatley’s is slightly different, a lesson in natural history that follows a successful hatchling to its adult destination.) In four of them, the pictures are expressionistic revelations of the emotions informing the text. The other three present a more complex visual vocabulary, from the dark painterly scenes of Whatley’s Galapagos to the stark childish representations of the two Dreaming narratives.

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Making sense of the randomness of human existence, stories present an adult perspective as to how best we can conduct ourselves. Nearly all children’s books carry the message that society must be accommodated and that there is a way of behaving that will allow that to happen. These seven picture books tell a story and supply visual images to reinforce the telling. (Bruce Whatley’s is slightly different, a lesson in natural history that follows a successful hatchling to its adult destination.) In four of them, the pictures are expressionistic revelations of the emotions informing the text. The other three present a more complex visual vocabulary, from the dark painterly scenes of Whatley’s Galapagos (Dragons of Galapagos, Bruce Whatley, Lothian, $26.95 hb, 32 pp) to the stark childish representations of the two Dreaming narratives.

Read more: Stella Lees reviews 7 Children’s Picture Books

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Madeleine Byrne reviews How the Light Gets In by M.J. Hyland and Tristessa and Lucido by Miriam Zolin
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Contents Category: Fiction
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One of Frank Moorhouse’s stories in his collection The Americans, Baby (1972) vividly describes two people’s tentative steps across a divide. It is a sexual overture, but also one that defies the constraints of national stereotypes. Carl, an Australian university student, bristles at an American man’s advances. Uneasy about his new sexual identity, he is unable to shake the sense that he is consorting with the enemy, at a time of mass protests against the Vietnam War. At the story’s end, the two men lie together in bed holding hands. The American urges his Australian lover to wipe his tears, then comments obliquely: ‘I guess this is the way it is with us.’

Book 1 Title: How the Light Gets In
Book Author: M.J. Hyland
Book 1 Biblio: Penguin, $22.95 pb, 317 pp
Book 1 Author Type: Author
Book 2 Title: Tristessa And Lucido
Book 2 Author: Miriam Zolin
Book 2 Biblio: UQP, $22 pb, 267 pp
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Book 2 Cover Path (no longer required): images/1_Meta/April_2020/41f7H1zANoL.jpg
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One of Frank Moorhouse’s stories in his collection The Americans, Baby (1972) vividly describes two people’s tentative steps across a divide. It is a sexual overture, but also one that defies the constraints of national stereotypes. Carl, an Australian university student, bristles at an American man’s advances. Uneasy about his new sexual identity, he is unable to shake the sense that he is consorting with the enemy, at a time of mass protests against the Vietnam War. At the story’s end, the two men lie together in bed holding hands. The American urges his Australian lover to wipe his tears, then comments obliquely: ‘I guess this is the way it is with us.’

Read more: Madeleine Byrne reviews 'How the Light Gets In' by M.J. Hyland and 'Tristessa and Lucido' by...

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Free Article: No
Contents Category: Poems
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Article Title: Night Vision
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Custom Highlight Text: Those towering and vertiginous heights
           Of night
At which you crane your next to gaze
    (And Dante saw ascending,
           Ablaze
In sphere on sphere of crowded light,
    Beyond a mortal sight’s
Earth-shadowed powers of apprehending),
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Those towering and vertiginous heights
           Of night
At which you crane your next to gaze
    (And Dante saw ascending,
           Ablaze
In sphere on sphere of crowded light,
    Beyond a mortal sight’s
Earth-shadowed powers of apprehending),

Read more: ‘Night Vision’ a poem by Stephen Edgar

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Patricia Anderson ‘Australian Surrealism: The Agapitos/Wilson Collection’ by Bruce James
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Contents Category: Art
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When the shiny new word ‘Surrealism’ was first minted, it was easy to find a shower of retrospective applications for it. The congested canvases of Hieronymus Bosch, for one, still spring to mind, though we need retrace our steps no further than that cauldron of economic and philosophical instability – the period between the two world wars – to pinpoint its official beginnings. In 1917, one year before a combat wound despatched him, Guillaume Apollinaire used the term to describe the ‘unleashing of zany creativity’ in the ballet Parade.

There were many players. Some were unsuspecting recruits; others signed up with alacrity. One of the former was Sigmund Freud, whose exploration of the subconscious mind and how it underwrote the inclinations of humanity at large gave a boost to those painters whose strange conjunctions of imagery had been prompted by free association and a dragging of the subconscious seabed to snare the detritus of dreams and nightmares.

Book 1 Title: Australian Surrealism
Book 1 Subtitle: The Agapitos/Wilson Collection
Book Author: Bruce James
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When the shiny new word ‘Surrealism’ was first minted, it was easy to find a shower of retrospective applications for it. The congested canvases of Hieronymus Bosch, for one, still spring to mind, though we need retrace our steps no further than that cauldron of economic and philosophical instability – the period between the two world wars – to pinpoint its official beginnings. In 1917, one year before a combat wound despatched him, Guillaume Apollinaire used the term to describe the ‘unleashing of zany creativity’ in the ballet Parade.

There were many players. Some were unsuspecting recruits; others signed up with alacrity. One of the former was Sigmund Freud, whose exploration of the subconscious mind and how it underwrote the inclinations of humanity at large gave a boost to those painters whose strange conjunctions of imagery had been prompted by free association and a dragging of the subconscious seabed to snare the detritus of dreams and nightmares.

Read more: Patricia Anderson ‘Australian Surrealism: The Agapitos/Wilson Collection’ by Bruce James

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Brian McFarlane reviews ‘The Mad Max Movies’ by Adrian Martin, ‘Walkabout’ by Louis Nowra, and ‘The Devil’s Playground’ by Christos Tsiolkas
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Contents Category: Film
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Article Title: Ageing with Film
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The Currency Press’s series ‘Australian Screen Classics’ is off to a good start. With playwright Louis Nowra’s Walkabout, thorough in its production, analysis and reception mode, novelist Christos Tsiolkas’s The Devil’s Playground, a study in personal enchantment, an Age film reviewer Adrian Martin’s The Mad Max Movies, an action fan’s impassioned response to the trilogy, the series makes clear that it will not be settling for a predictable template.

For anyone who has not seen Nicolas Roeg’s Walkabout (1971) for some years, Nowra’s study will evoke it with clarity and, because the book is also at times provocative, make another viewing essential. Nowra makes his intentions clear from the outset: he plans to trace ‘the process from the novel, to the preparation, to the filming and then, reception of the film’, and the structure of the book follows this blueprint. His admiration for the film is palpable, though this doesn’t stop him from criticising effects he finds too obvious.

Book 1 Title: The Mad Max Movies
Book Author: Adrian Martin
Book 1 Biblio: Currency Press and ScreenSound Australia, $14.95 pb, 96 pp
Book 1 Author Type: Author
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Book 2 Title: Walkabout
Book 2 Author: Louis Nowra
Book 2 Biblio: Currency Press and ScreenSound Australia, $14.95 pb, 93 pp
Book 2 Author Type: Author
Book 2 Cover Small (400 x 600):
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Book 3 Title: The Devil's Playground
Book 3 Author: Christos Tsiolkas
Book 3 Biblio: Currency Press and ScreenSound Australia, $14.95 pb, 92 pp
Book 3 Author Type: Author
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Book 3 Cover (800 x 1200):
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The Currency Press’s series ‘Australian Screen Classics’ is off to a good start. With playwright Louis Nowra’s Walkabout, thorough in its production, analysis and reception mode, novelist Christos Tsiolkas’s The Devil’s Playground, a study in personal enchantment, an Age film reviewer Adrian Martin’s The Mad Max Movies, an action fan’s impassioned response to the trilogy, the series makes clear that it will not be settling for a predictable template.

For anyone who has not seen Nicolas Roeg’s Walkabout (1971) for some years, Nowra’s study will evoke it with clarity and, because the book is also at times provocative, make another viewing essential. Nowra makes his intentions clear from the outset: he plans to trace ‘the process from the novel, to the preparation, to the filming and then, reception of the film’, and the structure of the book follows this blueprint. His admiration for the film is palpable, though this doesn’t stop him from criticising effects he finds too obvious.

Read more: Brian McFarlane reviews ‘The Mad Max Movies’ by Adrian Martin, ‘Walkabout’ by Louis Nowra, and...

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