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March 2006, no. 279

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Contents Category: Poem
Custom Article Title: 2006 Porter Prize winner: 'Still Life with Cockles and Shells' by Judith Bishop
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(Italian, c.17th; Kunsthistorisches Museum, Vienna)

Life breathes in this painting like a child
pretending not to be awake,

or a skink metamorphosed to a stone
but for the flutter in its flank.

You have to lean and listen for the heart
behind the shining paint,

the lips half-open, and the glittering eye.

Velvet of the night. A bald parrot on a parapet
watches to the east.

Ships listing on the waves
neither leave nor approach.

Someone has slain
five other birds: beaks, half-closed,

agonise in all directions.
A wash of unearthly light limes the sunken feathers.

What dreams the painter makes: I seem

to see inside the night
after Apocalypse,

when every soul has risen and sped off,
the violent seas at rest,

ships anchored and abandoned,
shells emptied of their monopods.

Or else the world has ended, but in
some other way;

and the parrot turns to give her
human greeting to the dawn.

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Colin Golvan reviews The Jews in Australia by Suzanne D. Rutland
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Contents Category: Jewish Studies
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Article Title: The age-old question
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It is one of the ironies of Jewish life in Australia that it is at once thriving and dying. The Jewish community drew its contemporary renaissance from the influx of postwar Jews from major centres in Eastern Europe, which were annihilated by the Nazis and their collaborators. Mostly victims of anti-Semitic persecution, the immigrants of the 1930s to 1950s brought a deep awareness and love of their culture and religious practice to an agreeable Australia, bolstering a Jewish community which to that time was predominantly British in origin and largely assimilationist. As Suzanne Rutland points out, in what is essentially a book of record, the immigration from Eastern Europe revitalised Jewish life in Australia.

Book 1 Title: The Jews in Australia
Book Author: Suzanne D. Rutland
Book 1 Biblio: CUP, $39.95 pb, 212 pp
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It is one of the ironies of Jewish life in Australia that it is at once thriving and dying. The Jewish community drew its contemporary renaissance from the influx of postwar Jews from major centres in Eastern Europe, which were annihilated by the Nazis and their collaborators. Mostly victims of anti-Semitic persecution, the immigrants of the 1930s to 1950s brought a deep awareness and love of their culture and religious practice to an agreeable Australia, bolstering a Jewish community which to that time was predominantly British in origin and largely assimilationist. As Suzanne Rutland points out, in what is essentially a book of record, the immigration from Eastern Europe revitalised Jewish life in Australia.

Read more: Colin Golvan reviews 'The Jews in Australia' by Suzanne D. Rutland

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Prue Gibson reviews Art + Australia: Debates, dollars & delusions by Patricia Anderson
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Contents Category: Art
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Article Title: Click go the turnstiles
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Art research is an absorbing occupation, not for the faint-hearted. The researcher must brave airless libraries, wrestle with gigantic volumes of old clippings from The Bulletin or the National Times, and listen to ubiquitous taped artist interviews by Hazel de Berg, all the while perched on precarious stools and suffering under low-wattage globes.

Book 1 Title: Art + Australia
Book 1 Subtitle: Debates, dollars & delusions
Book Author: Patricia Anderson
Book 1 Biblio: Pandora Press, $59.95 pb, 619 pp
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Art research is an absorbing occupation, not for the faint-hearted. The researcher must brave airless libraries, wrestle with gigantic volumes of old clippings from The Bulletin or the National Times, and listen to ubiquitous taped artist interviews by Hazel de Berg, all the while perched on precarious stools and suffering under low-wattage globes.

Read more: Prue Gibson reviews 'Art + Australia: Debates, dollars & delusions' by Patricia Anderson

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Danielle Wood reviews The Factory by Paddy O’Reilly and Cusp by Josephine Wilson
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Contents Category: Fiction
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Article Title: On the cusp
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While the imminent demise of the Australian novel continues to be predicted in the pages of the nation’s broadsheets, a curious thing is happening: two Australian publishing houses are creating new fiction lists. Australian Scholarly Publishing will present its fiction titles under the imprint Thompson Walker, and the University of Western Australia Press has come up with a New Writing series to showcase work from the postgraduate creative writing programmes of Australian universities.

Book 1 Title: The Factory
Book Author: Paddy O’Reilly
Book 1 Biblio: Thompson Walker, $21.95 pb, 255 pp
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Book 2 Title: Cusp
Book 2 Author: Josephine Wilson
Book 2 Biblio: UWA Press, $22.95 pb, 250 pp
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While the imminent demise of the Australian novel continues to be predicted in the pages of the nation’s broadsheets, a curious thing is happening: two Australian publishing houses are creating new fiction lists. Australian Scholarly Publishing will present its fiction titles under the imprint Thompson Walker, and the University of Western Australia Press has come up with a New Writing series to showcase work from the postgraduate creative writing programmes of Australian universities.

Read more: Danielle Wood reviews 'The Factory' by Paddy O’Reilly and 'Cusp' by Josephine Wilson

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Anita La Pietra reviews ‘Plastered: The poster art of Australian popular music’ by Murray Walding (with Nick Vukovic)
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Contents Category: Music
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Article Title: Plastered
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Plastered makes an ambitious claim for band posters ‘as barometers of cultural relevance [which] can offer real-time social commentary and political satire’. Although the book never quite substantiates this claim, it is a valuable work, not least because of its beautiful reproductions of band posters. Most of the posters derive primarily from the collection of Nick Vukovic, an inveterate collector. Vukovic is so keen to show off his collection that even posters of little artistic value, ‘designed to get bums off seats and nothing more’, are impeccably and inexplicably reproduced in the book.

Book 1 Title: Plastered
Book 1 Subtitle: The poster art of Australian popular music
Book Author: Murray Walding (with Nick Vukovic)
Book 1 Biblio: Miegunyah, $69.95 hb, 303 pp, 0522851681
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Plastered makes an ambitious claim for band posters ‘as barometers of cultural relevance [which] can offer real-time social commentary and political satire’. Although the book never quite substantiates this claim, it is a valuable work, not least because of its beautiful reproductions of band posters. Most of the posters derive primarily from the collection of Nick Vukovic, an inveterate collector. Vukovic is so keen to show off his collection that even posters of little artistic value, ‘designed to get bums off seats and nothing more’, are impeccably and inexplicably reproduced in the book.

Plastered adopts a non-academic format and outlook. Following a basic chapter structure, interspersed with numerous magazine-style insets, the book covers multiple areas simultaneously: music review; manual of printing techniques; history of Australian music; guide to avoiding arrest; marketing manual and collecting enthusiast’s zine. Sometimes Walding and Vukovic even manage to pay attention to the works themselves.

Read more: Anita La Pietra reviews ‘Plastered: The poster art of Australian popular music’ by Murray Walding...

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