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November 2013, no. 356

Welcome to the November issue of Australian Book Review – our first Performing Arts issue and one of the highlights of our publishing year. Highlights are many and varied. They include Melbourne theatre critic Andrew Fuhrmann’s long article ‘A Theatre of His Own: The Problematic Plays of Patrick White’ – the fruit of his ABR Ian Potter Foundation Fellowship. It’s a huge time for fiction publishing in Australia, and Brian Matthews finds much to admire in Tim Winton’s new novel, Eyrie, while Rosemary Sorensen reviews Christos Tsiolkas’s Barracuda. Steven Carroll tackles a biography of the man who lived with and edited T.S. Eliot. We also name the winner of this year’s Jolley Prize.

Maya Linden reviews Zac & Mia by A. J. Betts
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Contents Category: YA Fiction
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Book 1 Title: Zac & Mia
Book Author: A.J. Betts
Book 1 Biblio: Text Publishing, $19.99 pb, 310 pp, 9781922147257
Book 1 Author Type: Author
Book 1 Readings Link: booktopia.kh4ffx.net/6Oj4r
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Authentically owning a character’s experience is one of the great challenges faced by fiction writers, especially when it is something as intensely felt as living with terminal illness. It is testimony to A.J. Betts’s talent that she does so in Zac & Mia without lapsing into melodrama, rather, maintaining a voice that is youthful, contemporary, emotional when it needs to be but never clichéd.

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Kate Hayford reviews The Wild Girl by Kate Forsyth
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In the German kingdom of Hessen-Cassel, twelve-year-old Dortchen Wild falls in love with her scholarly neighbour Wilhelm Grimm amid the turbulent lead-up to the Napoleonic Wars. When Wilhelm and his brother Jakob undertake the task of collecting folk and fairy tales to preserve their national heritage, Dortchen becomes a willing source and participant, telling Wilhelm many of the stories that will become the Grimm brothers’ most famous ones. The romance between Dortchen and Wilhelm unfolds gently as Dortchen matures into womanhood. But no fairy tale is complete without a wicked stepmother or an impenetrable briar wood, and so it is with The Wild Girl. Her bright hopes are thwarted both by Wilhelm’s desperate poverty, and by the malevolent shadow of her own father, which soon coalesces into a reality of violence and abuse.

Book 1 Title: The Wild Girl
Book Author: Kate Forsyth
Book 1 Biblio: Vintage, $32.95 pb, 539 pp, 9781741668490
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In the German kingdom of Hessen-Cassel, twelve-year-old Dortchen Wild falls in love with her scholarly neighbour Wilhelm Grimm amid the turbulent lead-up to the Napoleonic Wars. When Wilhelm and his brother Jakob undertake the task of collecting folk and fairy tales to preserve their national heritage, Dortchen becomes a willing source and participant, telling Wilhelm many of the stories that will become the Grimm brothers’ most famous ones. The romance between Dortchen and Wilhelm unfolds gently as Dortchen matures into womanhood. But no fairy tale is complete without a wicked stepmother or an impenetrable briar wood, and so it is with The Wild Girl. Her bright hopes are thwarted both by Wilhelm’s desperate poverty, and by the malevolent shadow of her own father, which soon coalesces into a reality of violence and abuse.

Read more: Kate Hayford reviews 'The Wild Girl' by Kate Forsyth

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Rory Kennett-Lister reviews Privacy by Genna de Bont
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Privacy is an elusive concept. As Jonathan Franzen notes in his essay ‘Imperial Bedroom’ (2002), it is defined by negativity – freedom from interference, from disturbance, from observation – but resists any positive explanation. Privacy, Genna de Bont’s second novel, explores this slippery idea and uses privacy’s nebulous existence to call into question its relationship with exhibitionism, surveillance, sex, and morality.

Book 1 Title: Privacy
Book Author: Genna de Bont
Book 1 Biblio: Fourth Estate, $29.99 pb, 377 pp, 9780732295745
Book 1 Author Type: Author
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Privacy is an elusive concept. As Jonathan Franzen notes in his essay ‘Imperial Bedroom’ (2002), it is defined by negativity – freedom from interference, from disturbance, from observation – but resists any positive explanation. Privacy, Genna de Bont’s second novel, explores this slippery idea and uses privacy’s nebulous existence to call into question its relationship with exhibitionism, surveillance, sex, and morality.

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Carol Middleton reviews Floodline by Kathryn Heyman
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Floodline is the fifth novel by Kathryn Heyman, course director at Allen & Unwin’s Faber Academy. Set in an unspecified area of the United States, it follows a proselytising family, which is on a mission to save the godless inhabitants of Horneville on the eve of their annual gay mardi gras, Hornefest, when the city is devastated by floods.

Book 1 Title: Floodline
Book Author: Kathryn Heyman
Book 1 Biblio: Allen & Unwin, $29.99 pb, 247 pp, 9781743312797
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Floodline is the fifth novel by Kathryn Heyman, course director at Allen & Unwin’s Faber Academy. Set in an unspecified area of the United States, it follows a proselytising family, which is on a mission to save the godless inhabitants of Horneville on the eve of their annual gay mardi gras, Hornefest, when the city is devastated by floods.

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Phil Brown reviews Gotland by Fiona Capp
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While I was reading this compelling but occasionally problematic novel, I started thinking about Oscar Wilde. Pretentious? Moi? The thing is, when I’m torn between opposing views of the same thing, I tend to think of Wilde’s The Ballad of Reading Gaol … ‘two men looked out from prison bars, one saw mud, the other stars’. So I found myself in two minds about this book, mainly because, two thirds of the way through, I began to lose sympathy for the main character, Esther Chatwin, wife of a contemporary Australian prime minister (no one we know), a woman none too keen on her role.

Book 1 Title: Gotland
Book Author: Fiona Capp
Book 1 Biblio: Fourth Estate, $24.99 pb, 295 pp, 9780732297572
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While I was reading this compelling but occasionally problematic novel, I started thinking about Oscar Wilde. Pretentious? Moi? The thing is, when I’m torn between opposing views of the same thing, I tend to think of Wilde’s The Ballad of Reading Gaol … ‘two men looked out from prison bars, one saw mud, the other stars’. So I found myself in two minds about this book, mainly because, two thirds of the way through, I began to lose sympathy for the main character, Esther Chatwin, wife of a contemporary Australian prime minister (no one we know), a woman none too keen on her role.

Read more: Phil Brown reviews 'Gotland' by Fiona Capp

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