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December 2021, no. 438

The December issue has arrived and rounds out the year in customary style: a stockingful of reviews, essays, interviews, and our annual ‘Books of the Year’ feature, in which thirty-eight ABR critics highlight their year’s most memorable reads. Paul Muldoon reviews Bruno Latour’s eco-philosophical fable, After Lockdown. While Latour takes inspiration from the termite, Krissy Kneen considers the ways of the dugong in her Calibre Prize-shortlisted essay, a poignant exploration of identity, bodies, and death. In politics, Morag Fraser reviews Judith Brett’s collection of essays and Frank Bongiorno reflects on Noel Pearson’s life in the public eye. The issue looks at fiction by Simone de Beauvoir, the Booker-shortlisted Anuk Arudpragasam, Garry Disher, and Inga Simpson. The literary careers of Gillian Mears and Gerald Murnane are retraced by Brenda Walker and Peter Craven, respectively. Traipsing from Dante’s inferno to China to Western Sydney, the December issue will keep even the most intellectually gluttonous reader sated through the festive season.

The Sistine Chapel, a poem by Toby Davidson
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Beneath the Creator’s reach, the Golden Ratio / of tourist thrum stirs guards to the mike. / Silenzio. Silence. No photo. No video.

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Beneath the Creator’s reach, the Golden Ratio
of tourist thrum stirs guards to the mike.
Silenzio. Silence. No photo. No video.

Wonder at what ate the eyes of Michelangelo;
anciently capture a spreading dark
beneath the Creator’s reach, the Golden Ratio

breathed into brushstrokes of imagini di Dio.
The roof is eternity, tongues slowly spike.
Silenzio. Silence. No photo. No video.

This century’s guests, from Beijing to Rio,
quell themselves by Christ’s raised hand, snake
beneath the Creator’s reach, the Golden Ratio

pinched from nature’s windings. The cameo
of a fleshless selfie on a flayed saint strikes.
Silenzio. Silence. No photo. No video.

Adam sighs. Your stretch of time finito,
you can’t take with you as much as you’d like.
Beneath the Creator’s reach, the Golden Ratio,
nessun silenzio. No silence. Photo. Video.

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Open Page with Evelyn Juers
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Evelyn Juers is the author of House of Exile (2008), The Recluse (2012), and The Dancer: A biography for Philippa Cullen (2021).

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Evelyn Juers (photograph by Sally McInerney)Evelyn Juers (photograph by Sally McInerney)

Evelyn Juers is the author of House of Exile (2008), The Recluse (2012), and The Dancer: A biography for Philippa Cullen (2021).


 

If you could go anywhere tomorrow, where would it be, and why?

I’d go to the seaside town of Whitby in North Yorkshire. Stay for a month in a cosy hotel overlooking the ferocious North Sea. Bring a stack of books about, or set in, Whitby, like Elizabeth Gaskell’s least known but wonderful novel Sylvia’s Lovers. Find more books while I’m there. I’d walk a lot. Why? A slowly forming

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Felicity Chaplin reviews Dark Matter: Independent filmmaking in the 21st century by Michael Winterbottom
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Article Title: Conversations and reflections
Article Subtitle: Michael Winterbottom’s survey of independent filmmaking
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Stanley Kubrick’s Napoleon is perhaps the best-known film never made. But what about others that never happened? What might a closer look at these reveal about the state of filmmaking? Such unmade films constitute the ‘dark matter’ of British director Michael Winterbottom’s book Dark Matter: Independent filmmaking in the 21st century. The invisible dark matter of the cosmos shapes our universe; without it many galaxies would fly apart. For Winterbottom, an examination of cinematic dark matter ‘might help to explain the wider landscape of British independent cinema’ this century.

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Book 1 Title: Dark Matter
Book 1 Subtitle: Independent filmmaking in the 21st century
Book Author: Michael Winterbottom
Book 1 Biblio: British Film Institute, $34.99 pb, 208 pp
Book 1 Readings Link: booktopia.kh4ffx.net/9WygLy
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Stanley Kubrick’s Napoleon is perhaps the best-known film never made. But what about others that never happened? What might a closer look at these reveal about the state of filmmaking? Such unmade films constitute the ‘dark matter’ of British director Michael Winterbottom’s book Dark Matter: Independent filmmaking in the 21st century. The invisible dark matter of the cosmos shapes our universe; without it many galaxies would fly apart. For Winterbottom, an examination of cinematic dark matter ‘might help to explain the wider landscape of British independent cinema’ this century.

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Janna Thompson reviews Ideas to Save Your Life: Philosophy for wisdom, solace and pleasure by Michael McGirr
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Article Title: Wells of wisdom
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We academic philosophers get annoyed when people suppose that the purpose of philosophy is therapeutic. But we need not deny that philosophical enquiries into the nature of mind, knowledge, and the good can be sources of personal inspiration or solace. In his earlier work, Books That Saved My Life (2018), Michael McGirr, teacher, aid worker, and former priest, explained how literature and poetry can enrich our lives. Now it’s the turn of philosophy.

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Book 1 Title: Ideas to Save Your Life
Book 1 Subtitle: Philosophy for wisdom, solace and pleasure
Book Author: Michael McGirr
Book 1 Biblio: Text Publishing, $34.99 hb, 304 pp
Book 1 Readings Link: booktopia.kh4ffx.net/Yg29VR
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We academic philosophers get annoyed when people suppose that the purpose of philosophy is therapeutic. But we need not deny that philosophical enquiries into the nature of mind, knowledge, and the good can be sources of personal inspiration or solace. In his earlier work, Books That Saved My Life (2018), Michael McGirr, teacher, aid worker, and former priest, explained how literature and poetry can enrich our lives. Now it’s the turn of philosophy.

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Geordie Williamson reviews A Matter of Obscenity: The politics of censorship in modern England by Christopher Hilliard
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Article Title: Servants’ smut
Article Subtitle: The obsolescence of British censorship
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Censorship is to culture what war is to demography: it creates absence where presence should be. Christopher Hilliard’s fascinating and deeply informed monograph on the politics of censorship in Britain (and by extension its colonies) from the 1850s to the 1980s is concerned with the many books, magazines, and films that fell afoul of the authorities, from translations of Zola in the wake of the Obscene Publications Act 1857 to the skin mags of the 1970s.

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Book 1 Title: A Matter of Obscenity
Book 1 Subtitle: The politics of censorship in modern England
Book Author: Christopher Hilliard
Book 1 Biblio: Princeton University Press, $62.99 hb, 336 pp
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Book 1 Readings Link: booktopia.kh4ffx.net/rnJQaQ
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Censorship is to culture what war is to demography: it creates absence where presence should be. Christopher Hilliard’s fascinating and deeply informed monograph on the politics of censorship in Britain (and by extension its colonies) from the 1850s to the 1980s is concerned with the many books, magazines, and films that fell afoul of the authorities, from translations of Zola in the wake of the Obscene Publications Act 1857 to the skin mags of the 1970s.

Read more: Geordie Williamson reviews 'A Matter of Obscenity: The politics of censorship in modern England'...

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