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Absolutely Revolting

June 1996, no. 181

Welcome to the June 1996 issue of Australian Book Review!

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Adam Shoemaker reviews In the Age of Mabo: History, Aborigines and Australia edited by Bain Attwood
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Contents Category: History
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Some of Australia’s most cogent historical analyses grow out of particular social moments: the close of World War II, the accession (and dismissal) of the Whitlam government, the bicentennial celebrations and protests of 1988. The High Court’s Mabo decision of June 1992 is just such a moment and it is no surprise to find another book which focuses on the aftermath of that landmark decision. Interestingly, In the Age of Mabo is also just as strongly the product of a certain time and political space: the 1991–96 prime ministership of Paul Keating. It is this framework which gives this varied collection of essays its sense of historical occasion; it is also this political underpinning which renders at least one of the contributions nearly obsolete.
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Some of Australia’s most cogent historical analyses grow out of particular social moments: the close of World War II, the accession (and dismissal) of the Whitlam government, the bicentennial celebrations and protests of 1988. The High Court’s Mabo decision of June 1992 is just such a moment and it is no surprise to find another book which focuses on the aftermath of that landmark decision. Interestingly, In the Age of Mabo is also just as strongly the product of a certain time and political space: the 1991–96 prime ministership of Paul Keating. It is this framework which gives this varied collection of essays its sense of historical occasion; it is also this political underpinning which renders at least one of the contributions nearly obsolete.

Read more: Adam Shoemaker reviews 'In the Age of Mabo: History, Aborigines and Australia' edited by Bain...

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Lauren Williams reviews 24 Hours by Π.O.
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Contents Category: Poetry
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This is not another ‘slim volume’ of poetry; no way would it fit in a coat pocket. Ten years in the writing, weighing in at 740 pages, it is a brick of a book – well-bound paperback, heavy covers, designed to last. The poet had full say over not only the content, but the design, typesetting and production, resulting in a book unlike any produced under the nervous economic dictates of mainstream publishers. Six turned this manuscript down. Unsurprised, p.O. published it himself.
Book 1 Title: 24 Hours
Book Author: Π.O.
Book 1 Biblio: Collective Effort Press, $45 pb, 740 pp
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This is not another ‘slim volume’ of poetry; no way would it fit in a coat pocket. Ten years in the writing, weighing in at 740 pages, it is a brick of a book – well-bound paperback, heavy covers, designed to last. The poet had full say over not only the content, but the design, typesetting and production, resulting in a book unlike any produced under the nervous economic dictates of mainstream publishers. Six turned this manuscript down. Unsurprised, p.O. published it himself.

Read more: Lauren Williams reviews '24 Hours' by Π.O.

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Andrew Block reviews The Truth Teller by Margaret Simons
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Contents Category: Fiction
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The Truth Teller is a novel about a man hiding from himself. Told with pith and passion by Margaret Simons, it chronicles the career of journalist, Simon Spence. Spence lives in an exterior world. He hides behind facts and what he understands to be the truth. But Spence’s truth is a public one, not private. His private truth lurks far beneath the surface, suppressed by the very nature of the journalist’s ‘truth telling’ work. Simons writes about a world she knows, as a former journalist on The Australian. Her crisp writing style is ideal for the ambiguity of the subject. With razor-sharp words Simons sends messages that are as soft and blurred as clouds. She conveys the subterranean urges of the soul (‘the earthworm heart of a man’) as concisely as the fast-paced media world that buries it.
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The Truth Teller is a novel about a man hiding from himself. Told with pith and passion by Margaret Simons, it chronicles the career of journalist, Simon Spence. Spence lives in an exterior world. He hides behind facts and what he understands to be the truth. But Spence’s truth is a public one, not private. His private truth lurks far beneath the surface, suppressed by the very nature of the journalist’s ‘truth telling’ work. Simons writes about a world she knows, as a former journalist on The Australian. Her crisp writing style is ideal for the ambiguity of the subject. With razor-sharp words Simons sends messages that are as soft and blurred as clouds. She conveys the subterranean urges of the soul (‘the earthworm heart of a man’) as concisely as the fast-paced media world that buries it.

Read more: Andrew Block reviews 'The Truth Teller' by Margaret Simons

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