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May 2003, no. 251

Welcome to the May 2003 issue of Australian Book Review.

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Contents Category: Poem
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Article Title: ‘Down with Beauty! Long Live Death!’
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‘Down with Beauty! Long Live Death!’, a poem by Geoff Page

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‘Down with Beauty! Long Live Death!’

Two gods share a single breath.

 

Their warriors can all agree

on how to circumscribe the free

 

and are themselves in turn confined

by being of the one small mind.

 

A Muslim and a Catholic phrase

may equally distress our days;

 

the latter from the Spanish war,

the former sure the hip’s a whore.

 

‘Down with Beauty! Down with Life!’

All throats are naked to the knife.

 

As holy men sweep up the dead

their two gods shake a single head.

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Article Title: Praying with Christopher Smart
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‘Praying with Christopher Smart’ a poem by Peter Steele

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‘I’d as lief pray with Kit Smart as any one else’

                                                                                    Dr Johnson

 

Down on your knees in the street as if a goldsmith

           pouncing the metal, you still alarm us,

for all that your yard-and-a-bit of bones are buried.

 

I remember a student calling your ‘Song to David’

           a berserk thing, and though he was wrong

the fling of a raw, unkenneled heart had caught him,

 

as it could many. You found the trace of its music

            when stashed and barred for exhibition

in your century’s nightmare, the foetid warren of Bedlam,

 

and rejoiced, though God knows how, at seeing the Lamb,

           all radiant victim and focal creature,

where knave and fool and we the bewildered are welcomed.

 

So I too would be glad to pray, if you came

            to this other world, where the mettlesome stars

patch the darkness after a different fashion

 

of the thing we call the cosmos, meaning always

            something beautiful, something entire:

glad to be taught by someone unguarded, the lilt

 

of jubilation practised at every hour,

            and the coarse roads conceived as channels

of grace, that naked investment of love. So come,

 

for a season at least, to a country of goshawk and ibis,

            where the diamondbird flickers in tilted leaves

and the needletail swift feeds and drinks on the wing,

 

where reindeer moss, and sea tassel, and fireweed

            come out with archaic flair, and leopard

and tiger and waxlip are so many orchids, and heal-all

 

and hound’s-tongue and bulrush and running postman

            are out for show with the black swans,

the crimson rosellas, the wedge-tailed eagles, and the swallows:

 

come down, little man, in your dirty linen, and your need

            for help back from the alehouse, and your love

of the one whose beauty sent you to sea for pearls.

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Contents Category: Advances
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Article Title: Advances - May 2003
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The Mildura Writers’ Festival is always one of the most congenial and stimulating events on our literary calendar. Clive James, our lead reviewer this month, has just agreed to attend this year’s festival and to deliver the 2003 La Trobe University/ABR Annual Lecture. The lecture will take place at 8 p.m. on Friday, 25 July, and the festival will follow that weekend (July 26–27). Clive James (pictured below) will also deliver the lecture in Melbourne soon after the Mildura Writers’ Festival. Full details of both events will follow in the June/July issue. ABR subscribers will be entitled to attend this major lecture gratis.

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The La Trobe University/ABR Annual Lecture

The Mildura Writers’ Festival is always one of the most congenial and stimulating events on our literary calendar. Clive James, our lead reviewer this month, has just agreed to attend this year’s festival and to deliver the 2003 La Trobe University/ABR Annual Lecture. The lecture will take place at 8 p.m. on Friday, 25 July, and the festival will follow that weekend (July 26–27). Clive James (pictured below) will also deliver the lecture in Melbourne soon after the Mildura Writers’ Festival. Full details of both events will follow in the June/July issue. ABR subscribers will be entitled to attend this major lecture gratis.

 

Sydney Writers’ Festival

May 19–25 sounds like a good week to spend in Sydney, with thirty international and 150 Australian authors taking part in 100 events at the Sydney Writers’ Festival. Guests include Janette Turner Hospital, Jonathan Franzen and William Dalrymple. For information about the programme, phone (02) 9252 7734 or visit the website: www.swf.org.au.

 

Going Down Auctioning

Last December, Going Down Swinging launched its twentieth annual issue. Unfortunately, some non-swinger purloined the entire door-takings – $1400. Such a loss is close to disastrous for any magazine, and Going Down Swinging needs to recoup this money. Co-editor Stephen Grimwade informs us that the journal is organising a literary auction. Among the many items up for auction will be a copy of ‘the infamous GDS #1 (1980)’; a copy of Jeff Kennett’s Dog Lovers’ Poems, autographed and endorsed by his successor, Steve Bracks; a bundle of new releases from Allen & Unwin valued at more than $450; prose and poetry manuscript assessments by Sophie Cunningham and Kevin Brophy, respectively; and subscriptions to ten literary magazines (including, naturally, ABR). The auction will take place at the Old Colonial Inn, 127 Brunswick Street, Fitzroy, at 7 p.m. on Thursday, May 15. For more information, to subscribe, or to return the missing $1400, call Stephen Grimwade on 0425 766 288 or e-mail: This email address is being protected from spambots. You need JavaScript enabled to view it..

 

Magazine chairs

It’s hard to keep up with all the changes in Australian magazines. Eureka Street, as we have already noted, is now edited by Marcelle Mogg, while her predecessor, Morag Fraser, becomes a most welcome new board member of ABR. Philip Harvey, a regular contributor to our magazine, becomes the Poetry Editor of Eureka Street. The Adelaide Review, edited for many years by Christopher Pearson, is now edited by Peter Ward. Katherine Wilson and Nathan Hollier have taken over as Editors of Overland. Their first issue, ‘Bludgers’, is now available. Meanwhile, the ABC has announced that Limelight, a new monthly arts and entertainment magazine, will absorb 24 Hours magazine in July.

 

Training course for writers

Writers ‘who have had some publishing success’ might be interested in an intensive four-day training course that will be hosted by the SA Writers’ Centre from 22–25 July. Guest speakers will include Christine Harris (‘Breaking into Interstate Markets: An SA Perspective’), Tom Shapcott (‘Taxation, Accounting and Effect Record-keeping’) and José Borghino (‘Contracts and Copyright’). The cost is a mere $100 for members, or $180 for non-members.

 

Writers in focus

Raimond Gaita, our La Trobe University Essayist this month, is always worth hearing. On May 6, he will be in conversation with Stephanie Dowrick at the State Library of Victoria. The cost is $12 ($10 concession). Bookings: (03) 8664 7016.

 

Dangerous times

‘We live in dangerous times,’ writes Greg Mackie in introducing the prospectus for this year’s Adelaide Festival of Ideas. Indeed we do. All the more reason not to miss this festival, which will run from 10–13 July. Overseas speakers will include Robert Fisk and George Monbiot, from the UK. Australian guests will include Dennis Altman, Peter Beilharz, and Fiona Stanley. To apply for a detailed programme of events, send an e-mail to This email address is being protected from spambots. You need JavaScript enabled to view it..

 

Ringing the changes

The NSW Writers’ Centre has a new Chair and Deputy Chair: Angelo Loukakis and Pat Woolley, respectively. Meanwhile, the Centre’s events programme continues apace. Over the next few weeks, Patti Miller, whose new book, Whatever the Gods Do, is reviewed in this issue of ABR, will conduct a course in life-writing. The cost is $150 for members, $180 for non-members. Full details of the Centre’s programme are available on (02) 9555 9757 or This email address is being protected from spambots. You need JavaScript enabled to view it..

 

Spreading the word

Finally, inside this issue you will find a copy of our new promotional flyer. If you already subscribe, why not help us spread the word by giving it to a friend? We would be more than happy to send you more flyers if you can use them. Flyers are available from the Office Manager, Dianne Schallmeiner, on (03) 9429 6700 or This email address is being protected from spambots. You need JavaScript enabled to view it..

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Article Title: The Time Machine
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Custom Highlight Text: 'The Time Machine', a poem by Stephen Edgar
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It’s not by that contraption, nor inside

            The worm holes to be bored

Through outer darkness to its farthest reaches,

That this tight knot of noon will be untied

And loose the morning’s bonded hours toward

The otherwhile your constant prayer beseeches.

 

Who would believe that now – poised plainly over

            The harbour’s wintry haze,

As far off in the littered blue inane

Mir, error-prone, still manages to hover,

While west and north, despite the massed berets,

The old deals are all brokered yet again;

 

Shares do their magic on the stock exchange;

            While to consolidate

Some fly-blown tyranny the usual slaughters

Fall to the usual goon squads to arrange;

While sleek yachts ride, as though absolved of weight,

Tinkling upon the pleasure-blinded waters;

 

While mountains stand still as their photographs

             Somewhere beyond the edges

Of cities that turn earth to neighbourhood;

And though the papers press their epitaphs,

Babies will drink the white lie that milk pledges

And sleep on it, dreaming the world is good –

 

Who would believe this moment now might hold

            A past remoter than

The pyramids? that like the bright, oblique

Plume of the comet falling unforetold,

An era that is yet unknown to man

Comes plunging into the middle of next week?

 

Wisps writhe above the river’s fancied rind

           As though it might soon boil.

Patience. Be still. Your wishes will appear.

That pebble in your shoe; what lies behind

The hand clasped to your forehead; the blue voile

Of the elapsing vista: name your year.

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Ros Pesman reviews The Cambridge Companion to Travel Writing edited by Peter Hulme and Tim Youngs, and Venus in Transit: Australia’s women travellers by Douglas R.G. Sellick
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Contents Category: Travel
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In our postmodern age, when everything travels and travel is a metaphor for everything, travel and travel writing have become the subject of intense scholarly interest and debate. Travel, once largely the domain of geographers, and travel writing, previously relegated to the status of a sub-literary genre, now engage attention from literary studies, history, anthropology, ethnography, and, most fruitfully, from gender and postcolonial studies. Conferences and publications abound.

Book 1 Title: The Cambridge Companion to Travel Writing
Book Author: Peter Hulme and Tim Youngs
Book 1 Biblio: CUP, $49.95 pb, 353 pp
Book 1 Author Type: Editor
Book 2 Title: Venus in Transit
Book 2 Subtitle: Australia’s women travellers
Book 2 Author: Douglas R.G. Sellick
Book 2 Biblio: FACP, $24.95 pb, 363 pp
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In our postmodern age, when everything travels and travel is a metaphor for everything, travel and travel writing have become the subject of intense scholarly interest and debate. Travel, once largely the domain of geographers, and travel writing, previously relegated to the status of a sub-literary genre, now engage attention from literary studies, history, anthropology, ethnography, and, most fruitfully, from gender and postcolonial studies. Conferences and publications abound.

The Cambridge Companion to Travel Writing, through a series of succinct essays, provides a guide to travel writing in English since 1500, and draws a clear and accessible map of the terrain and of current orientations. The essays are accompanied by a chronology that juxtaposes important events and texts from 1492 and Columbus’s voyages to North America, up to 2001, the terrorist attack on the World Trade Centre and V.S. Naipaul’s Nobel Prize for Literature.

The essays are grouped into three sections. The first, ‘Surveys’, comprises five essays offering a broad historical coverage and charting the principal shifts in travel writing since 1500 – odysseys, pilgrimages, grand tours, scientific discovery, exploration, the quest for the exotic, and the primitive. Both Helen Carr, covering 1880–1940, and Peter Hulme (1940–2000) argue that a major development in modern times is the emergence of travel for the sake of writing. Travel writing, beginning with the generation of Henry James and D.H. Lawrence, and continuing down to that of Colin Thubron and Bruce Chatwin, gained new prestige because of the standing of its authors and its literary qualities.

The second section, ‘Sites’, contains seven essays that focus on particular geographic areas – Arabia, the Amazon, Tahiti, Ireland, Calcutta, the Congo, and California – and the third, ‘Topics’, is composed of three essays that cover the most fashionable areas of current academic interest: travel writing and gender; travel writing and ethnography; and travel writing and its theory.

Read more: Ros Pesman reviews 'The Cambridge Companion to Travel Writing' edited by Peter Hulme and Tim...

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