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January-February 2015, no. 368

Welcome to our January–February issue! Highlights include Martin Thomas on the art and life of Albert Namatjira, Jane Sullivan on Hilary Mantel’s new collection of short stories, and our new ‘Arts Highlights of the Year’ feature in which leading critics and arts professionals nominate their favourite performances of 2014. Also, Susan Lever reviews Christos Tsiolkas’s new title Merciless Gods, Geordie Williamson explores the poetry notebook of Clive James, and Gregory Day explores family ties in his Jolley Prize commended story, 'The 900s Have Moved'. On the poetry side of things, Tracy Ryan is ABRs Poet of the Month, and we publish new poems by Cassandra Atherton, Cameron Lowe, and Tracy Ryan, as well as Clive James’s poem, ‘A Silent Speech by Julia Gillard’.

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Contents Category: Poem
Custom Article Title: Geoff Page: 'Seeing People'
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Seeing people who remind you
just a little of the dead
is always mildly disconcerting –

something in the face, the gait,
the shoulders from behind,
those likenesses that don’t surprise

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Seeing people who remind you
just a little of the dead
is always mildly disconcerting –

something in the face, the gait,
the shoulders from behind,
those likenesses that don’t surprise

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Contents Category: Poem
Custom Article Title: 'Blush', a new poem by Cameron Lowe
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The sudden blush on us        you move
as wind sweeps across blue water
you move       the clouds

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Contents Category: Commentary
Custom Article Title: Living with Broken Country by Cameron Muir
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Once, when it was the beginning of the dry but no one could have known it yet, Dad drove us west – out past ‘Jesus Saves’ signs nailed to box trees, past unmarked massacre sites and slumping woolsheds, past meatworks and red-bricked citrus factories with smashed windows, and past one-servo towns with faded ads for soft drinks no one makes anymore – until we reached a cotton farm.

We stood on the old floodplain listening to the manager in his American cap, a battery of pumps and pipes behind him, boasting how much water these engines could lift once the river reached a certain height. To the left, an open channel cut through laser-levelled fields to the horizon.

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Once, when it was the beginning of the dry but no one could have known it yet, Dad drove us west – out past ‘Jesus Saves’ signs nailed to box trees, past unmarked massacre sites and slumping woolsheds, past meatworks and red-bricked citrus factories with smashed windows, and past one-servo towns with faded ads for soft drinks no one makes anymore – until we reached a cotton farm.

We stood on the old floodplain listening to the manager in his American cap, a battery of pumps and pipes behind him, boasting how much water these engines could lift once the river reached a certain height. To the left, an open channel cut through laser-levelled fields to the horizon.

Cotton saved the towns out here in the 1990s, but to me it just looked desolate. These weren’t the plains I knew. Back in Dubbo, I spoke to a local businessman about how folk downstream reckoned the chemicals were harming their children, and how the riverine plains were all cleared, and how graziers cried in front of strangers, blaming irrigators for taking their water, and about the rivers left emaciated and growing little else but toxic algae. He smiled, reached towards my shoulder, and rubbed the sleeve of my green T-shirt between his fingers. ‘Everyone needs cotton, mate,’ he said. When I tried to continue, he cut in. ‘Look,’ he said. ‘There’s nothing out there anyway.’

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Contents Category: Poem
Custom Article Title: 'Axis 12. Addenda' (for Pam Brown), a new poem by A.J. Carruthers
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for C.                 
                                        d, undrilled
                                     rock
    Had it been
wanted                       how had  

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Jennifer Strauss reviews The Best Australian Poems 2014 edited by Geoff Page
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Contents Category: Poetry
Custom Article Title: Jennifer Strauss reviews 'The Best Australian Poems 2014' edited by Geoff Page
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Article Title: The broad church of Australian poetry
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‘Lending printed eloquence to a poem’ comes from ‘Alas’, Chris Wallace-Crabbe’s elegiac tribute to Seamus Heaney. There is eloquence aplenty in this fine collection of more than a hundred and twenty poems edited by poet Geoff Page, someone who understands that eloquence speaks in many tones and in various formal structures. This variety is generously represented here, even if, as a result of Page’s allegiance to ‘a broad church’ of Australian poetry and his wish to represent its full range of tendencies in a way that will speak to a congregation of ‘average reader[s]’, the collection treads lightly in the realm of experimental or avant-garde poetry.

Book 1 Title: The Best Australian Poems 2014
Book Author: Geoff Page
Book 1 Biblio: Black Inc., $24.99 pb, 209 pp
Book 1 Author Type: Editor
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‘Lending printed eloquence to a poem’ comes from ‘Alas’, Chris Wallace-Crabbe’s elegiac tribute to Seamus Heaney. There is eloquence aplenty in this fine collection of more than a hundred and twenty poems edited by poet Geoff Page, someone who understands that eloquence speaks in many tones and in various formal structures. This variety is generously represented here, even if, as a result of Page’s allegiance to ‘a broad church’ of Australian poetry and his wish to represent its full range of tendencies in a way that will speak to a congregation of ‘average reader[s]’, the collection treads lightly in the realm of experimental or avant-garde poetry.

Read more: Jennifer Strauss reviews 'The Best Australian Poems 2014' edited by Geoff Page

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