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Archive

The good boy

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June 2009, no. 312

There was a party when I first came to this country. The table was heavy with plates of pizza and chicken balls and Turkish dips with sticks of celery that no one touched. Balloons clustered on the ceiling, trying to escape the heat of the room. A badly lit fire in the fireplace sent out curls of smoke, and a double-bar radiator sat burning in the opposite corner.

‘This is my Filipino brother-in-law, Enrico,’ Alan said each time he introduced me, grasping my arm or giving me a playful punch. At that point, the person I was meeting would clap my shoulder and say, ‘Welcome to Australia!’ as if they had rehearsed this gesture for my arrival.

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Ransom by David Malouf

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May 2009, no. 311
Peter Rose reviews 'Ransom' by David Malouf

In David Malouf’s second and perhaps most celebrated novel, An Imaginary Life (1978), of which this new novella is so reminiscent, the Roman poet Ovid is exiled to a primitive village named Tomis. Ovid, ‘called Naso because of the nose’, has been banished due to his unspoken affronts. In Tomis, Ovid, doomed and apart, senses that he must acquire in simplicity a new kind of wisdom:

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Reunion by Andrea Goldsmith

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May 2009, no. 311
Judith Armstrong reviews 'Reunion' by Andrea Goldsmith

What’s the use,’ asks Alice before wandering away from her uncommunicative sister, ‘of a book without pictures or conversations?’ Grown-up readers can probably manage without the former, but it is unusual to find a novel with as little dialogue in it as Andrea Goldsmith’s Reunion, or one that so deliberately ignores the common injunction ‘Show, don’t tell.’

Yet Goldsmith has several books to her credit, including The Prosperous Thief, which was shortlisted for the Miles Franklin Literary Award in 2002, and for several years taught creative writing at Deakin University. Presumably she knows what she is doing. In point of fact, not only does this flouting of conventional rules come over as quite refreshing, it is in any case justified by the demands of the narrative.

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Footprints

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April 2009, no. 310

Fingerprints have associations of guilt, but the footprint traditionally speaks of innocence. Think of Good King Wenceslas and his pageboy, crossing the moonlit snow to deliver food and fuel to the poor:

Mark my footsteps, good my page,
Tread thou in them boldly
Thou shalt find the winter’s rage
Freeze thy blood less coldly.

What’re yer lookin’ at yer fuckin’ dog?

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April 2009, no. 310

I have never been good at violence. Not even at mild arguments. So when the brick came smashing through our bedroom window in the middle of the night,I leapt from our bed and screamed. Our children came running in, more worried and frightened by the noise I had made than by the brick or by the glass scattered on our floor. This is all history now. Well, not quite. A ...

Letters to the Editor - April 2009

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April 2009, no. 310

DIAMETRIC OPPOSITES

Dear Editor,

I concur with Daniel Thomas’s high opinion of the collection of Eva and Marc Besen and of their TarraWarra Museum, and share his admiration of the essays by Christopher Heathcote and Sarah Thomas in his review of Encounters with Australian Modern Art (February 2009).

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'Lost Property', a new poem by Tracy Ryan

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March 2009, no. 309

To be alone in the wide room
in the house’s crooked elbow, turning point
for extensions as the family grew
and grew – and grew – to be alone in the one room
nobody needed now, though it might be resumed
like land, for guests or blow-ins, at any moment,
without notice (and that was part of
the appeal, the very tenuous feel of the place) to play the ...

The Best American Essays 2008 edited by Adam Gopnik & The Best Australian Essays 2008 edited by David Marr

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February 2009, no. 308
Gay Bilson reviews 'The Best American Essays 2008' edited by Adam Gopnik and 'The Best Australian Essays 2008' edited by David Marr

In 1977, in three consecutive issues, the New Yorker published Hannah Arendt’s ‘Thinking’. Each part was called an ‘article’, a strangely modest, journalistic word in the face of the length of each part of the essay and the profound subject. Thirty-two years ago, the magazine showed curmudgeonly modesty: writers were named in small print at the foot of each ‘piece’, there was never, god forbid, a sub-editor’s catch-all under the title, no short biographies of the writers were printed, and there were never, ever, visual illustrations or photographs to accompany the text. The issue in which the first of Arendt’s ‘articles’ appeared included poetry by Mark Strand; the long book review was by George Steiner; Pauline Kael was the film reviewer; there were four Saul Steinberg drawings; and Andrew Porter reported on classical music. The list of names we revere could go on.

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Letters to the Editor

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February 2009, no. 308
Letters to the Editor – February 2009

The past is in Scotland

Dear Editor,

Christina Hill’s review of Peter Goldsworthy’s latest novel, Everything I Knew (November 2008), seems sure-footed in both its negative assessment of an ‘overwrought, undisciplined’ work and its appreciation of the novel’s compositional play, both intricate and subversive, with L.P. Hartley’s The Go-Between. It makes no mention, however, of the novel’s pointed intrigue with lyricism.

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The Wisdom of Birds: An illustrated history of ornithology by Tim Birkhead

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February 2009, no. 308
Peter Menkhorst reviews 'The Wisdom of Birds: An illustrated history of ornithology' by Tim Birkhead

If the history of ornithology seems esoteric, of interest only to specialists, this is the book to open your eyes. Tim Birkhead is an eminent field ornithologist and a gifted and passionate science communicator. Each of these elements shines from this book, a wonderful distillation of the vast ornithological literature that has accumulated over the past four centuries. Effectively a history of natural history, it is a delight to read.

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