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Michelle MichauCrawford

Michau-Crawford's accomplished début collection bears comparison to Tim Winton's impressionistic The Turning (2005) and Elizabeth Strout's Olive Kitteridge (2008), though Leaving Elvis is properly neither the portrait of place nor of a single character. The place might be any dilapidated small town in the wheat-belt region of Western Australia. Th ...

I admire everyone who puts their heart and soul into creating something beautiful with words. But in no particular order, a by no means comprehensive list: Gillian Mears, Gail Jones, Joan London, Helen Garner, Kate Grenville, Cate Kennedy, Charlotte Wood, Brenda Walker, David Malouf, Luke Davies, Kim Scott, Amanda Curtin ... I'm currently utterly absorbed in Elena Ferrante's Neapolitan stories. In my fantasy writing life, like her I'd remain anonymous to everyone but my publisher.

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I walk in the door and Gran tells me that a month ago Leslie Mulligan was taken by a shark while trying to save a stranger. Imagine, a national hero. She actually says that. As though dying in a world of pain in an ocean filled with his own blood was a heroic choice.

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