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Mystery Novel

Sucked In by Shane Maloney

by
May 2007, no. 291

Sucked In, the sixth instalment in Shane Maloney’s Murray Whelan series, is just what fans will be hoping for – a fast-paced mystery (with the obligatory dose of political wheeling and dealing) that never lets blackmail, violence or possible murder stand in the way of a laugh.

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Inspector Anders, the one-legged anti-terrorist expert, is back. In Marshall Browne’s new novel, he returns to Italy after being sent to the safety of a Europol desk, away from the southern Italian mafia, who had sworn, and attempted, to kill him. Outspoken right-wing politicians are being murdered, and all the signs point to serial killings with deep-seated motives.

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The Point by Marion Halligan

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April 2003, no. 250

Marion Halligan’s latest novel should be a success. It is a continuation and concentration of themes, characters, and settings that have consistently engaged her in a considerable body of work. The Point is full of Halligan favourites: food, art, love, literature, hubris, Canberra, Séverac, and the Spensers. It is a novel with currency, exploring the IT industry, the business of food, and the perceived distance between those with and those without. Halligan has a reputation as an intense and original writer, but The Point is a disappointing novel.

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If I were inclined to draw connections between books and food, Joy Dettman’s first novel would have to be a hamburger: it’s big, it’s juicy, it’s relatively quick to consume and it’s packed with all the generic trimmings of which a good meaty mystery is made. And while certainly Mallawindy’s characters are thus rather stereotypical and the quality of Dettman’s writing a little clumsy at times, this book is worth sampling if you’re ever so slightly addicted to narratives with gusto. It’s the kind of book you could easily enjoy on the plane, on the tram, or, yes, even on the couch and forget where you were – and this is apt given that one of the primary concerns of this book is not so much food (although a portion of it has made its way into Michael Gifkins’ 1994 extravaganza, Tart and Juicy) as memory loss.

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