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Margaret Simons

Childhood sporting humiliations have left me with a dread of being in places where somebody might throw a ball towards me and expect me to do something with it.

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The Rise and Rise of Kerry Packer by Paul Barry & Who Killed Channel 9? by Gerald Stone

by
November 2007, no. 296

Until recently, more Australians got their news and information from Channel Nine than from any other single source. For nearly thirty years, what Gerald Stone describes as ‘Kerry Packer’s mighty tv dream machine’ was the dominant force in Australian media and popular culture. Channel Nine was, as its promos used to say, ‘The One’.

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Margaret Simons is a writer familiar to her readers. There she was in Fit to Print: Inside the Canberra press gallery (1999), first driving with her husband and young children to the national capital, then following Michelle Grattan’s blue dress around Parliament House. Here she is again in The Content Makers: Understanding the media in Australia, telling us about her experiences in daily journalism, her move into freelance journalism, writing for the e-mail news service Crikey, and attending last year’s infamous 2006 Walkley Awards dinner.

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The Truth Teller is a novel about a man hiding from himself. Told with pith and passion by Margaret Simons, it chronicles the career of journalist, Simon Spence. Spence lives in an exterior world. He hides behind facts and what he understands to be the truth. But Spence’s truth is a public one, not private. His private truth lurks far beneath the surface, suppressed by the very nature of the journalist’s ‘truth telling’ work. Simons writes about a world she knows, as a former journalist on The Australian. Her crisp writing style is ideal for the ambiguity of the subject. With razor-sharp words Simons sends messages that are as soft and blurred as clouds. She conveys the subterranean urges of the soul (‘the earthworm heart of a man’) as concisely as the fast-paced media world that buries it.

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Dear Editor,

Dr Jenna Mead claims, among other things in her most recent attempt to discredit The First Stone, that I have ‘invented dialogue’ and written ‘hypothetical meetings with imaginary characters’. All the conversations and encounters in the book are documented in detailed, scrupulous notes. This includes my account of a telephone conversation between Dr Mead and me, which she would perhaps prefer to think of as a figment of my ‘merciless imagination. If only Dr Mead were an imaginary character – but it would strain the ingenuity of a better writer than I am, to have dreamt her up.

Helen Garner, Elizabeth Bay NSW

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