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Absolutely Revolting

August 1994, no. 163

Welcome to the August 1994 issue of Australian Book Review!

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Judith Armstrong reviews To the death, Amic by John Bryson
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Contents Category: Fiction
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Article Title: Remembering Catalonia
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The trial of Lindy Chamberlain drew the fascinated attention of most Australians when it was reported day and night in every media outlet. It moved into a different but equally popular mode with the publication of John Bryson’s documentary novel Evil Angels and the screening of Fred Schepisi’s film of the same name. The novel not only won a clutch of awards but was translated into nine languages, a sufficient achievement to earn its author an enduring international reputation and to globalise what might otherwise have been a short-lived local curiosity. Bryson’s account picked up the dramatic intensity of the Central Australian setting and the human agonies of the players, as well as the universal issues, such as justice and prejudice, that towered over the Rock and the courtroom.
Book 1 Title: To the death, Amic
Book Author: John Bryson
Book 1 Biblio: Viking, $29.95 hb
Book 1 Author Type: Author
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The trial of Lindy Chamberlain drew the fascinated attention of most Australians when it was reported day and night in every media outlet. It moved into a different but equally popular mode with the publication of John Bryson’s documentary novel Evil Angels and the screening of Fred Schepisi’s film of the same name. The novel not only won a clutch of awards but was translated into nine languages, a sufficient achievement to earn its author an enduring international reputation and to globalise what might otherwise have been a short-lived local curiosity. Bryson’s account picked up the dramatic intensity of the Central Australian setting and the human agonies of the players, as well as the universal issues, such as justice and prejudice, that towered over the Rock and the courtroom.

Read more: Judith Armstrong reviews 'To the death, Amic' by John Bryson

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Peter Grant reviews The Tasmanian Aborigines by Brian Plomley
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Contents Category: Indigenous Studies
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Article Title: Too soon out of date
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This is a sad, short book – sad in more ways than one. It is the last work of this century’s greatest authority on the Tasmanian Aborigines. It is the distillation of sixty years of detailed and diverse work. And it is deeply flawed.

Brian Plomley, who died earlier this year, was best known for his doorstop volumes on the original Tasmanians (The Friendly Mission and Weep in Silence). For these we owe Plomley a great debt. He dedicated decades of his life to getting inside the mind of G.A. Robinson, the so-called Conciliator of Tasmania’s last tribal Aborigines. His insights into that man and his era, and the thoroughness of his work on the thinly-spread evidence of pre-European Aboriginal culture in Tasmania, are unique. They would lead us to expect the present slim volume to be a rich distillation. Instead the undoubted riches are contaminated by errors both of fact and judgement.
Book 1 Title: The Tasmanian Aborigines
Book Author: Brian Plomley
Book 1 Biblio: The Plomley Foundation, $10.95 pb
Book 1 Author Type: Author
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This is a sad, short book – sad in more ways than one. It is the last work of this century’s greatest authority on the Tasmanian Aborigines. It is the distillation of sixty years of detailed and diverse work. And it is deeply flawed.

Brian Plomley, who died earlier this year, was best known for his doorstop volumes on the original Tasmanians (The Friendly Mission and Weep in Silence). For these we owe Plomley a great debt. He dedicated decades of his life to getting inside the mind of G.A. Robinson, the so-called Conciliator of Tasmania’s last tribal Aborigines. His insights into that man and his era, and the thoroughness of his work on the thinly-spread evidence of pre-European Aboriginal culture in Tasmania, are unique. They would lead us to expect the present slim volume to be a rich distillation. Instead the undoubted riches are contaminated by errors both of fact and judgement.

Read more: Peter Grant reviews 'The Tasmanian Aborigines' by Brian Plomley

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Peter Goldsworthy reviews The Language Instinct: How the mind creates language by Steven Pinker
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Contents Category: Language
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Article Title: Speak to me
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An immense irony: Noam Chomsky, one of the left-culture heroes of the 1960s and 1970s –one of mine, at any rate – was in fact all along engaged in a white-anting of the sacred central tenet that unites leftish beliefs, the notion we are products (constructs is the more fashionable term) of our culture. And its optimistic sequel: we can therefore be changed, or improved. Gender roles are supposedly a construct, IQs are supposedly a construct, the fact that all sprint finalists in the Olympics are black-skinned is even supposed to be a cultural construct.
Book 1 Title: The Language Instinct
Book 1 Subtitle: How the mind creates language
Book Author: Steven Pinker
Book 1 Biblio: Allen Lane (Penguin)
Book 1 Author Type: Author
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An immense irony: Noam Chomsky, one of the left-culture heroes of the 1960s and 1970s –one of mine, at any rate – was in fact all along engaged in a white-anting of the sacred central tenet that unites leftish beliefs, the notion we are products (constructs is the more fashionable term) of our culture. And its optimistic sequel: we can therefore be changed, or improved. Gender roles are supposedly a construct, IQs are supposedly a construct, the fact that all sprint finalists in the Olympics are black-skinned is even supposed to be a cultural construct.

Read more: Peter Goldsworthy reviews 'The Language Instinct: How the mind creates language' by Steven Pinker

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Contents Category: Art
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Article Title: A feast of Streeton
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This is now the best book on one of Australia’s best – and best-loved – artists: Arthur Streeton, who worked in Melbourne, Sydney, Cairo, Canada, and London, and exhibited from 1884 to 1943. The National Gallery owns forty-six oil paintings, from 1884 to 1934, some being his best and most characteristic, others interesting oddities or minor pot-boilers. Of course, many of his most famous works are not here, but we see him whole.
Book 1 Title: The Oil Paintings of Arthur Streeton in the National Gallery of Australia
Book Author: Mary Eagle
Book 1 Biblio: NGA, $79.95 hb, $49.95 pb
Book 1 Author Type: Author
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This is now the best book on one of Australia’s best – and best-loved – artists: Arthur Streeton, who worked in Melbourne, Sydney, Cairo, Canada, and London, and exhibited from 1884 to 1943. The National Gallery owns forty-six oil paintings, from 1884 to 1934, some being his best and most characteristic, others interesting oddities or minor pot-boilers. Of course, many of his most famous works are not here, but we see him whole.

Read more: Daniel Thomas reviews 'The Oil Paintings of Arthur Streeton in the National Gallery of Australia'...

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Contents Category: Literary Studies
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Article Title: Confessing to the critical
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I am enmeshed in criticism. Criticism defines and speaks me. I criticise, therefore I have a job. But criticism is a tricky business. It’s partial, changes from one time/place/person to another (as Jennifer Gribble acknowledges).

I’m not an expert on Janet Frame or Christina Stead (although I’ve included books by each on courses in the past) and my awareness of Peter Goldsworthy’s oeuvre is better but patchy. Like most university lecturers (I suppose), I read more reviews than actual books, although my preference is for the reverse. But with the vision of ABR’s editor as the bejewelled ringmistress conjured up in Gina Mercer’s book, I don my cap and bells, cry ‘Nuncle!’, and off I go into the hurricane.
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I am enmeshed in criticism. Criticism defines and speaks me. I criticise, therefore I have a job. But criticism is a tricky business. It’s partial, changes from one time/place/person to another (as Jennifer Gribble acknowledges).

I’m not an expert on Janet Frame or Christina Stead (although I’ve included books by each on courses in the past) and my awareness of Peter Goldsworthy’s oeuvre is better but patchy. Like most university lecturers (I suppose), I read more reviews than actual books, although my preference is for the reverse. But with the vision of ABR’s editor as the bejewelled ringmistress conjured up in Gina Mercer’s book, I don my cap and bells, cry ‘Nuncle!’, and off I go into the hurricane.

Read more: David Gilbey reviews 'Christina Stead' by Jennifer Gribble, 'Janet Frame: Subversive fictions' by...

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