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September 2016, no. 384

The highlight of the September issue is distinguished historian Alan Atkinson's searching and timely RAFT Fellowship essay on the Australian national conscience. Other highlights include Glyn Davis on Britain's Europe from birth to Brexit, Beejay Silcox's fly-on-the-wall account of a Donald Trump Rally, Bernadette Brennan on the works of Kim Scott, Simon Caterson on Brett Whiteley, Joy Damousi on the Armenian Genocide, and a poem from New Zealand's poet Laureate Bill Manhire. We review fiction by authors including Steven Amsterdam, Nick Earls, Tara June Winch, Howard Jacobson, and Anna Spargo-Ryan. Michael Shmith interviews Brett Dean for Green Room, and author Fiona Wright is our Open Page guest.

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Contents Category: Poem
Custom Article Title: 'Smartraveller' by Tracy Ryan
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Just knowing those colours makes it safer
already and how they'll change anyway by the time
you, thirteen now, are old enough for elsewhere: ...

Just knowing those colours makes it safer
already and how they'll change anyway by the time
you, thirteen now, are old enough for elsewhere:

RED ORANGE YELLOW GREEN but not about weather
except for extremity and those are most finite
and fickle, cyclones though murderous rarely durable

as human cruelty. Where are you going?
the site prompts but you choose Browse countries
then List all countries, then run the current date –

not to miss anything – every day you check them
like a thing growing in the mind's garden
that needs tending, a world of worrying

for others under some degree of mastery; keep track
of flare-up, pandemic, earthquake, and ask me
sidelong, to define civil unrest, safety and security

though these are terms you know, as if rehearsing,
as if there could be something more the words don't
indicate, a further shade in my palette till now

held back, but I can only disappoint, being arms'-length,
and listen my best as you list the ten tallest mountains
while we head for the school bus because last night

and all this week it was Nepal, and pulling your quilt
around you to ready for sleep was rugging up
for Everest, and before that, another land, one day.

Tracy Ryan

Tracy Ryan won the Peter Porter Poetry Prize in 2009. Her latest collection is Hoard (2015).

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Contents Category: Poem
Custom Article Title: 'Indexing Emily' by Bill Manhire
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The dead gaze back across their special days:
cloud above clover, crisis above the crow ...
Such new horizons, yet they still approach. ...

The dead gaze back across their special days:
cloud above clover, crisis above the crow ...
Such new horizons, yet they still approach.
They know how eclipse and ecstacy edge along together:
whisper and wink of wind, but no real weather.

Between practice and prayer there's always praise.
Mist and mistakes are in the text.
And now here's the night – nobody's next – and poetry
falls from the crucifixion like a crumb, and belief
needs bells, needs bereavement. Bothersome.

Now a feather falls towards March
somehow recalling the snake above the snow.
Everything slows. All those ships
anticipating shipwreck: frigate, little boat.
Brain almost touching the bride. Sweet anecdote.

Can the simple be simplified? Our riches
ride on a riddle: rapture and rainbow
and remaining time. And now all the columns
of Love appear. No word of reproof, no sign
of rage. Love is like Death: it needs to turn the page.

Bill Manhire


Bill Manhire was New Zealand's inaugural Poet Laureate.

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Open Page with Fiona Wright
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Contents Category: Open Page
Custom Article Title: Open Page with Fiona Wright
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I've realised in recent years that without my writing I don't quite feel like a whole person. It brings me joy – I constantly feel grateful that I'm able to work at something that is joyous – but it also allows me to make sense of the world, so much so that I actually think I would be lost without it.

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WHY DO YOU WRITE?

I've realised in recent years that without my writing I don't quite feel like a whole person. It brings me joy – I constantly feel grateful that I'm able to work at something that is joyous – but it also allows me to make sense of the world, so much so that I actually think I would be lost without it.

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Contents Category: Letters
Custom Article Title: Letters to the Editor - September 2016
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Dear Editor, Melbourne geographer Peter Christoff may be right that Australia should shake off its island mentality, but he is wrong to suggest that Australia has become much ...

Our island home

Dear Editor,
Melbourne geographer Peter Christoff may be right that Australia should shake off its island mentality, but he is wrong to suggest that Australia has become much less of an island economy in the half century since the publication of Donald Horne's The Lucky Country. In his review of The Lucky Country? Reinventing Australia by Ian Lowe (ABR, August 2016), Christoff misquotes some statistics and misrepresents others. Christoff writes that Australia's exports amount to forty-two per cent of its gross domestic product (GDP); the correct figure is twenty per cent. Christoff writes that half of Australia's exports go to China and Japan; the correct figure is forty-two per cent. And Christoff claims that Australia's economy is now 'integrally Asian', yet nearly all of Australia's exports to Asia are minimally processed minerals and foodstuffs.

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Max Sipowicz reviews Mr Unpronounceable and the Infinity of Nightmares by Tim Molloy
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Contents Category: Graphic Novel
Custom Article Title: Max Sipowicz reviews 'Mr Unpronounceable and the Infinity of Nightmares' by Tim Molloy
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Mr Unpronounceable and the Infinity of Nightmares is the third volume of Tim Molloy's stories featuring Mr Unpronounceable, a modern-day shaman ...

Book 1 Title: Mr Unpronounceable and the Infinity of Nightmares
Book Author: Tim Molloy
Book 1 Biblio: Milk Shadow Books $21.99 pb, 190 pp, 9780992508258
Book 1 Author Type: Author

Mr Unpronounceable and the Infinity of Nightmares is the third volume of Tim Molloy's stories featuring Mr Unpronounceable, a modern-day shaman inhabiting a surreal universe of twisted and interfolded worlds. Time is relative here: each story is a section or a causal twist within another story. The narrative appears to make sense, only to be contradicted by the logic of ensuing story.

Read more: Max Sipowicz reviews 'Mr Unpronounceable and the Infinity of Nightmares' by Tim Molloy

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