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- Contents Category: Letter collection
- Custom Article Title: Sara Savage reviews 'Yours Truly'
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- Article Title: Yours Truly
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The popularity of letter-writing has been in decline for years, and recent proposals to privatise Australia Post may accelerate this trend. In an age when an email reaches its recipient in mere micro-seconds, the impassioned letters between Miller and Nin, Stieglitz and O’Keeffe, or Queen Victoria’s estimated 3000 letters to her daughter ‘Vicky’ can seem like relics of a bygone time. It is safe to assume that in the museums of the twenty-second century, artefacts of the current era won’t appear in the form of framed letters written in fountain pen.
- Book 1 Title: Yours Truly
- Book 1 Subtitle: Cathartic Confessions, Passionate Declarations and Vivid Recollections from Women of Letters
- Book 1 Biblio: Viking, $29.99 pb, 460 pp, 9780670077298
Luckily for the romantics among us, ‘Women of Letters’ has for the past three years been dedicated to reviving the act of letter-writing, staging regular events in which notable women (and, more recently, men) of the ‘stage, screen, and page’ read letters that they have written to a particular theme. Yours Truly is the third compilation of these letters.
Curated by Women of Letters founders Marieke Hardy and Michaela McGuire, Yours Truly features all kinds of letters: some humorous, like Meanjin editor Zora Sanders’s confessional on stealing; some truly reflective, like Lorelei Vashti’s letter on rewriting history; some deeply political, like Robert Manne’s letter to a member of the Stolen Generations; and some downright baffling, like comedian Lawrence Mooney’s back-handed ode to his ‘crazy bitch’ ex-girlfriends.
Notwithstanding some of the more literary delights of the book (Kári Gíslason’s letter to the woman who changed his life – Lady Chatterley – is a highlight), you get the feeling that some of the more colloquial letters, often by actors and television personalities, would be better enjoyed read aloud by their authors – like Genevieve Morris’s letter on her dietary sacrifices, or Amy Ingram’s to a series of strangers. After all, they were originally penned for performance.
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