The title refers to the key trope that binds the characters: they are all undertaking transactions of some kind. Most of these transactions are sexual in nature, and many of them are exploitative. They are shaped by factors such as race, gender, religion, and capitalism. They unfold against the backdrop of the so-called ‘war on terror’, at a time when the notion of a ‘global village’ can seem too optimistic.

Alizadeh demonstrates a masterful eye for character development. Few of his characters are likeable, but all of them are compelling. He combines a range of genres, including poetry and the short story. Moments of bitingly dark humour (witness Samia’s egotistical diatribes) are blended with moments of pathos. Throughout Transactions, the reader encounters scenes of unexpected and shocking brutality. These are symptomatic of the landscape evoked by the author. This landscape is a loveless place, where sex and violence are intertwined, and where reality and non-reality are indistinguishable.

Transactions is equally cynical and silly, intriguing and infuriating, haunting and hilarious. Alizadeh’s stories are also a testament to his considerable literary skill.