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December 2011–January 2012, no. 337

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Contents Category: Advances

 

Reference vision

By year’s end, it’s not easy to become giddy-headed about our daily cache of new publications, but one book from Cambridge University Press that turned our heads is The Encyclopedia of Australian Architecture, edited by Philip Goad and Julie Willis. Immense in scale and conception – with 200 contributors, 500 images, and 1000 entries – this will be an indispensable reference for anyone interested in our built environment. The design, by W.H. Chong (our esteemed cover artist), is elegant, inviting, and unostentatious.

At the impressive launch held at the Melbourne Museum (four speakers, all succinct and cogent: possibly a record), Philip Goad rightly congratulated Cambridge on its ‘vision’. It is not ubiquitous these days, and some traditional reference publishers have all but vacated the field. Popular fiction, celebrity memoirs, cookery books, have their embossed place, but a publishing era is defined by its major reference projects.

Apropos which, Advances lives in hope that Oxford University Press will eventually commission a third edition of The Oxford Companion to Australian Literature. Why stop at 1992, when the second edition did? Quite a lot has happened since then.

 

 

Pushing and staring

Virginia Woolf’s criticism – now fully collected in a six-volume edition from the Hogarth Press (originally edited by Andrew McNeillie, now by Stuart N. Clarke) – constitutes a major part of her oeuvre. Her review work, especially in the early years, was impressively vast. In 1918, for instance, she wrote forty-three reviews and essays, most of them for the Times Literary Supplement (anonymously, of course). Even in Woolf’s latter years – when her renown as a novelist was enormous and when the likelihood of a Nazi invasion exacerbated her ever-delicate mental health – Woolf went on writing for periodicals. In 1939 she agreed to write about royalty for Picture Post (‘by way of a sop to our income & our liabilities’, she noted in her gimlet-eyed diary). Embarrassingly for the magazine’s Editor (who happened to be a Hogarth Press author), Picture Post declined to publish the article because of its mildly controversial nature.

During the recent royal tour, Advances recalled an earlier essay by Woolf, also titled ‘Royalty’ (1934), and returned to it as if for clean air. ‘Can we go on bowing and curtseying to people who are just like ourselves?’ Woolf asked. ‘Are we not already a little ashamed of the pushing and the staring …’

Woolf had some dry things to say about Queen Victoria’s prose, but they are much too treasonous to be reprinted here. She wondered how the House of Windsor would look in 2034. ‘Will Buckingham Palace look as solid then as it does now? Words are dangerous things let us remember. A republic might be brought into being by a poem.’

The Essays of Virginia Woolf, Volume 6, 1933–1941 (available from Random House, $85) completes this magnificent scholarly project, mandatory reading for any young critic, republican or not. If the Editor ever deigned to ask Advances to nominate his ‘Books of the Year’, it would top his list.

 

 

Nip and tuck

To combat Australia’s stagnant book trade, Melbourne publisher Scribe has announced that the default size of its paperbacks will shrink from the familiar C format to the B+ format – or by twenty millimetres on all sides. The decision will save costs on printing and (importantly given the competition from offshore online booksellers not subject to GST) postage. The trimming will enable titles to sell for under $30, while not dematerialising altogether – unlike the first of Scribe’s eBook-only publications: Journalism at the Crossroads, by Margaret Simons.

 

 

Poetry galore

When entries closed for the eighth Peter Porter Poetry Prize late last month, we had received about 600 entries – our biggest field yet. Judging is now under way. We will publish the shortlisted poems in the March 2012 issue, and the winner, who will receive $4000, will be named in April.

 

 

Special gift offer – $59.95

We’re feeling exceptionally generous as we near the end of our fiftieth birthday year. We invite our current subscribers to give a gift subscription to the print edition at the special rate of $59.95 per year. This represents a saving of 40 per cent off the cover price – and 25 per cent off the normal subscription rate ($80). Make someone very happy this Christmas! To arrange this gift call us on (03) 9429 6700 or download the special form from our website.

 

Farewell to 2011

In our fiftieth birthday year, 236 writers and reviewers from all around the country – and some overseas – have contributed to ABR. We thank all of them. This is one of two double issues we publish each year. We’ll be back in February. The office will remain open for business throughout the summer. Best wishes from everyone at ABR.

 

 

CONTENTS: DECEMBER 2011–JANUARY 2012

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Contents Category: Letters

 

Whither anthropology?

Dear Editor,

Emma Kowal’s review of my book (November 2011) is by and large a generous one, and yet it comes to some conclusions that I must reject. My view is not the same as the ‘anti-separatists’, because, as I make clear in my discussion, they do not maintain one view. Some of them are neo-liberals. Others are not. Among the writers I discuss in the relevant chapter of A Different Inequality: The Politics of Debate about Remote Aboriginal Australia, the ones I find most amenable are Bob Gregory on specific issues of unemployment policy, and Noel Pearson and Marcia Langton regarding the importance of economic participation to remote Aboriginal people. Like Pearson and Helen Hughes, I emphasise mainstream education. Because its delivery in remote communities is such a difficult task – witness Minister Macklin’s doomed, in my view, punitive approach – I have suggested that this might be a political focus for anthropology.

After all, can we seriously contemplate self-determining remote communities in the modern state without fundamental English literacy or in which Aboriginal youth in the future are simply not equipped to seek further education or employment beyond their communities if they so wish? If this is ‘neo-liberal’ and the type of thing that anthropology rejects, whither anthropology? A more careful reading of my book would see that I make a case for Aboriginal difference as historical and therefore variable in time and place.

My reference to public opinion pertains to the fact that in matters such as education it is likely that ‘better will not come’ unless shared opinions on such a matter can override forms of family loyalty that make even classrooms in remote communities deeply conflicted from time to time. There is no special mystery about the growth of public opinion. It lies behind the familiar phenomenon of ‘night patrol’ geared to keep an eye on youth. I have also seen women and some men working to develop public opinion through meetings concerning sly grog and feuds when they manifest in long-term violence. The point is that this is an obvious alternative to policing and heavy-handed governance. It is about Aboriginal people determining their own paths.

Finally, there is much in Jon Altman’s work which I regard as valuable. I simply do not endorse his account of hybrid economy as a plausible economic ‘model’ when it lacks attention to mainstream education and to labour market policies. In particular, this account cannot address the range of communities that are properly called ‘remote’. Since my book is addressed to anthropologists, and he has influenced some, I trust that the discipline is robust enough to consider a critique.

Emma Kowal worries that I have ‘nothing new’ to say. Newness, I suppose, to some degree, is in the eye of the beholder – but not in one who fails to grasp that my book discusses ideas that lie behind policy; ideas that anthropologists would do well to reflect on if their discipline is to be heard in the public domain.

Diane Austin-Broos, Glebe, NSW

 

Implosion of the WRP

Dear Editor,

Jeff Sparrow’s otherwise thoughtful review (November 2011) of my partner Alex Mitchell’s book Come the Revolution: A Memoir contains one comment that requires correction. In referring to the sex scandal involved in the 1985 split in the Workers Revolutionary Party in Britain, Sparrow asserts that Mitchell’s attitude to women alleging abuse by the party’s leader, Gerry Healy, was that they should ‘simply knee Healy in the balls’.

Mitchell never made that comment. As quoted in the book, it was I who said to him that, in the event of any unwanted advances from Healy, ‘I would have kneed him in the groin’. I was a founding member of the Oxford Women’s Liberation Group, but a political supporter of Healy’s.

More importantly, it is not accurate to say that ‘twenty-six female members accused Healy of sexual assault’. The allegation was made by someone who disappeared shortly before revelations of her involvement in unauthorised financial dealings, and it was never put to the test by a proper investigation, internal or external. Instead, as the memoir details, Healy’s political opponents initiated a Fleet Street witch-hunt and whipped up an hysterical mob, which obliged a number of us to leave the party premises, and in my case my home, in fear of physical violence.

There were many factors in the implosion of the WRP. Given the amount of misinformation which still surrounds the events, Jeff Sparrow is scarcely to blame for picking up the distorted version. The truth was far more complex.

Judith White, Murwillumbah, NSW

 


CONTENTS: DECEMBER 2011–JANUARY 2012

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Norman Etherington reviews An Eye for Eternity: The Life of Manning Clark by Mark McKenna
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Recognising biography as ‘one of the new terrors of death’, the eighteenth-century wit John Arbuthnot made sure his life would be sparsely documented. Manning Clark, preoccupied with his inevitable extinction, took the opposite tack. He massively archived all his thoughts and doings as a strategy ...

Book 1 Title: An Eye for Eternity
Book 1 Subtitle: The Life of Manning Clark
Book Author: Mark McKenna
Book 1 Biblio: Miegunyah Press, $55 hb, 793 pp, 9780522856170
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Recognising biography as ‘one of the new terrors of death’, the eighteenth-century wit John Arbuthnot made sure his life would be sparsely documented. Manning Clark, preoccupied with his inevitable extinction, took the opposite tack. He massively archived all his thoughts and doings as a strategy for ensuring some spectral posthumous existence. A telling photograph in Mark McKenna’s stupendous An Eye for Eternity shows the historian’s papers rising hubristically shelf after shelf like a personal tower of Babel in the National Library of Australia. Not content with writing two volumes of autobiography, Clark put his turbulent inner life on display in an excruciatingly and embarrassingly frank diary, intended for publication from the time he began it in his early twenties. Well before death came for him in 1991, he had taken to leaving notes in the nooks and crannies of his study for the benefit of the future biographers who, he confidently expected, would rise to his bait.

Read more: Norman Etherington reviews 'An Eye for Eternity: The Life of Manning Clark' by Mark McKenna

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Joel Deane reviews The Sweet Spot: How Australia made its own luck – and could now throw it all away by Peter Hartcher and The Fog On The Hill: How NSW Labor lost its way by Frank Sartor
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On 7 November, Paul Keating appeared on ABC TV’s 7.30 to promote his new book of speeches,  After Words. Keating’s response to Leigh Sales’s first question about political leadership was instructive:

Book 1 Title: The Sweet Spot: How Australia Made Its Own Luck – And Could Now Throw It All Away
Book Author: Peter Hartcher
Book 1 Biblio: Black Inc., $29.95 pb, 288 pp, 9781863954976
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Book 2 Title: The Fog On The Hill: How NSW Labor lost its way
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Book 2 Biblio: Melbourne University Press, $34.99 pb, 378 pp, 9780522861068
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On 7 November, Paul Keating appeared on ABC TV’s 7.30 to promote his new book of speeches,  After Words. Keating’s response to Leigh Sales’s first question about political leadership was instructive:

Keating: Leadership’s always been about two main things – imagination and courage. Imagination to divine a bigger schematic, a bigger world and then having the political equipment to get the changes through. And sticking with them. And a conscientious public, and I think the Australian public is conscientious, pick up a storyline pretty quickly. And they know whether they’re getting value or not. And if they think they’re getting value, they’ll stick with you.
Sales: Well, at the moment, they seem to not think that they’re getting value from either side.
Keating: That’s what they think. I’m pretty sure of that. It gets back to where we are. I mean ... Australia’s a country in transition. The seminal event of our time is the return of China to a position of primacy in the international system, back to where it was before the Industrial Revolution. This is going to change the way the world works, but not just the world, our part of the world. And so, therefore, our economy, our society, our cultural attitudes, the psychology with which we approach the region, all this, I believe, is the overarching story of the modern Australia.

Read more: Joel Deane reviews 'The Sweet Spot: How Australia made its own luck – and could now throw it all...

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Fiona Wright reviews Thirty Australian Poets edited by Felicity Plunkett
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Although it has been almost half a century since 1968, a year readily mythologised in Australian poetry, the so-called Generation of ’68 are still the most talked-about contemporary poets. There have been few attempts to define the next generations of poets. Forty-three years is a long definition of what might be deemed ‘contemporary’.

Book 1 Title: Thirty Australian Poets
Book Author: Felicity Plunkett
Book 1 Biblio: University of Queensland Press, $27.95 pb, 304 pp, 9780702239144
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Although it has been almost half a century since 1968, a year readily mythologised in Australian poetry, the so-called Generation of ’68 are still the most talked-about contemporary poets. There have been few attempts to define the next generations of poets. Forty-three years is a long definition of what might be deemed ‘contemporary’.

Read more: Fiona Wright reviews 'Thirty Australian Poets' edited by Felicity Plunkett

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