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September 2024, no. 468

In ABR’s September issue, writers pick over the bones, stare into the cracks, weigh, measure, and search for the words. There’s Joel Deane on Peter Dutton, Ian Hall on Narendra Modi, and Kevil Bell on homelessness. Gabriella Coslovich sums up the case against Planet Art, the world’s wealthiest museums, and Dominic Kelly ponders two conservative lamentations for the Voice. Patrick Mullins asks if we need yet another Hawkie bio, and we review exhumations of extraordinary lives by Yves Rees, Penny Olsen and Aarti Betigeri as well as memoirs by Leslie Jamison, Kári Gíslason, Olivia Laing and Theodore Ell. There’s James Ley on Rodney Hall’s thirteenth novel, Vortex, and Geordie Williamson on Fiona McFarlane’s Highway 13, plus reviews of poetry, theatre, art, essays and technology.

Open Page with George Williams
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Professor George Williams AO is the Vice-Chancellor and President at Western Sydney University. He commenced as Western Sydney University’s fifth Vice-Chancellor in July 2024, bringing decades of experience as a constitutional law scholar and teacher, senior leader in higher education, barrister and as a national thought leader. His latest book with David Hume is People Power: How Australian referendums are lost and won (UNSW Press, 2024).

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George Williams 200 x 200Professor George Williams AO is the Vice-Chancellor and President at Western Sydney University. He commenced as Western Sydney University’s fifth Vice-Chancellor in July 2024, bringing decades of experience as a constitutional law scholar and teacher, senior leader in higher education, barrister and as a national thought leader. His latest book with David Hume is People Power: How Australian referendums are lost and won (UNSW Press, 2024).


If you could go anywhere tomorrow, where would it be, and why?

To Western Sydney University! It is a bit sad I know, but I have just started as vice-chancellor and am thrilled to make a difference. Education changed my life, and I want that for others. There is no better place to achieve this, as two-thirds of our students are the first in their family to go to university and we have the highest number of low SES students in Australia.

What is your idea of hell?

A slow afternoon shopping for clothes.

What do you consider the most specious virtue?

Modesty. If you have something to be proud of, share it.

What’s your favourite film?

That is a tough one! By a nose, it would be the Lord of the Rings trilogy (extended editions of course) over the original Star Wars trilogy (not to be confused with the prequels or the very disappointing sequels).

And your favourite book?

I do not usually like reading books a second time, but there are a few I come back to every few years. One is Earth Abides, a 1949 American post-apocalyptic science fiction novel by George R. Stewart. It is a forgotten classic that details the decline of civilisation after a worldwide plague.

Name the three people with whom you would most like to dine, historical or contemporary.

I would love to get J.R.R. Tolkien together with movie director Peter Jackson and screenwriter Fran Walsh. I suspect a bit of tension in the room over the adaptation of the Lord of the Rings novels and would love to see the reaction.

Which word do you most dislike, and which one would you like to see back in public usage?

Restaurant. It has nothing to do with the word itself, but I always struggle to spell it, going back to the fact that I paid so little attention to spelling in school. Thankfully, my dreadful aptitude for spelling has been made up for by good dictation systems. They have saved my writing career. ‘Forsooth’ deserves a comeback. It rolls off the tongue nicely.

Who is your favourite author?

George R.R. Martin would have got the nod for his Game of Thrones novels, but I have been waiting thirteen years for the next book, and that takes him down several notches. My favourite of all time is Stephen R. Donaldson. I love his willingness to subvert our expectations of fantasy in the Chronicles of Thomas Covenant, and his science-fiction Gap series is breathtaking. His capacity to ratchet up the tension and reader engagement with complex characters and intricate plots is exactly what I look for at the end of the day.

And your favourite literary hero or heroine?

I cannot go past the true and loyal Samwise Gamgee.

Which quality do you most admire in a writer?

Brevity.

Which book influenced you most in your youth?

The Lord of the Rings.

Name an early literary idol or influence whom you no longer admire – or vice versa.

Jane Austen’s novels have never appealed to me, but I loved the recent mash-up, Pride and Prejudice and Zombies.

Do you have a favourite podcast?

The Daily by The New York Times

What, if anything, impedes your writing?

These days it is time. I had this in spades as an academic, but it declined precipitously when I became dean and then deputy vice-chancellor, and now has completely disappeared as vice-chancellor. My days as an author of books may now be over. My latest is my forty-third book, so it has not been a bad run.

What qualities do you look for in critics?

Engaging fairly with my writing and bringing something new and surprising to the table.

How do you find working with editors?

I am constantly impressed with their ability to point out errors and problems that I have somehow missed. I have been fortunate to work with wonderful editors across a range of publishers, especially UNSW Press and Federation Press.

What do you think of writers’ festivals?

They are such great fun. It is a privilege to engage directly with readers and to hear their take on your work. They also bring in energy that can be inspiring.

Are artists valued in our society?

Not as much as they should be.

What are you working on now?

I am learning on the job as a newly minted vice-chancellor. I am advocating on behalf of our students, including to do away with the unfair and highly damaging $50,000 cost of Arts degrees. The world needs more writers and philosophers.  g

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Michael Lucy reviews ‘Vector: A surprising story of space, time, and mathematical transformation’ by Robyn Arianrhod
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Article Title: i² = j² = k² = ijk = –1
Article Subtitle: Vectors as an entire method of thinking
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If you ever came across a vector in a high-school science class, it probably looked quite simple: a little arrow you might draw on a diagram to show the motion of a train or the forces on a swinging pendulum. An arrow pointing right would cancel an arrow pointing left, or → + ← = 0. Add together two arrows pointing in the same direction, you get one twice as long: →. A rightward arrow plus an upward one? You’ve got yourself a diagonal: → + ↑ =  ↗.

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Book 1 Title: Vector
Book 1 Subtitle: A surprising story of space, time, and mathematical transformation
Book Author: Robyn Arianrhod
Book 1 Biblio: University of New South Wales Press, $44.99 pb, 472 pp
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If you ever came across a vector in a high-school science class, it probably looked quite simple: a little arrow you might draw on a diagram to show the motion of a train or the forces on a swinging pendulum. An arrow pointing right would cancel an arrow pointing left, or → + ← = 0. Add together two arrows pointing in the same direction, you get one twice as long: →. A rightward arrow plus an upward one? You’ve got yourself a diagonal: → + ↑ =  ↗.

As it turns out, this arrow arithmetic is a handy way to think about numbers and spatial relationships, especially if you combine it with other kinds of mathematical gear like algebra and calculus. Although the vector picture was originally devised to describe the familiar three-dimensional space we live in, it can be expanded in surprising directions. Vectors turn up in the curved spacetime of Albert Einstein’s relativity and the weird twelve-dimensional universes of string theory, as well as in Google’s page-ranking algorithm and the abstract spaces with thousands of dimensions that modern AI models use to represent things like language and meaning. However, as mathematician and historian Robyn Arianrhod shows in her new book, Vector, the invention of this deceptively simple piece of conceptual technology took several thousand years.

Read more: Michael Lucy reviews ‘Vector: A surprising story of space, time, and mathematical transformation’...

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Paul Kildea reviews ‘The Piano Player of Budapest’ by Roxanne de Bastion
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In the winter of 1937–38, Bertolt Brecht, a refugee from National Socialism, lived in furious exile in Svendborg, a small town on the Danish island of Funen. There he wrote and compiled a collection of poems under the working title ‘Gedichte im Exil’ (Poems in Exile). Sometime between galleys and the poet’s move to Sweden following the Munich Agreement, the book was renamed Svendborger Gedichte, the second section of which begins with a simple motto:

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In the winter of 1937–38, Bertolt Brecht, a refugee from National Socialism, lived in furious exile in Svendborg, a small town on the Danish island of Funen. There he wrote and compiled a collection of poems under the working title ‘Gedichte im Exil’ (Poems in Exile). Sometime between galleys and the poet’s move to Sweden following the Munich Agreement, the book was renamed Svendborger Gedichte, the second section of which begins with a simple motto:

In the dark times
Will there also be singing?
Yes, there will also be singing
About the dark times.

Read more: Paul Kildea reviews ‘The Piano Player of Budapest’ by Roxanne de Bastion

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Kevin Foster reviews ‘The Fatal Alliance:  A century of war on film’ by David Thomson
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Film critic’ rather undersells the breadth and depth of David Thomson’s engagement with the medium. A distinguished historian, biographer, novelist, and encyclopedist of film, he has also made documentaries, written screenplays, and been a respected judge on the international film festival circuit. He is widely regarded as the greatest living writer on film. It is fitting, then, that after more than twenty books on cinema he has finally turned his attention to war, a matter whose scope and import across the history of film provides a true match for his gifts.

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Book 1 Title: The Fatal Alliance
Book 1 Subtitle: A century of war on film
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Book 1 Biblio: Harper, $35 hb, 457 pp
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‘Film critic’ rather undersells the breadth and depth of David Thomson’s engagement with the medium. A distinguished historian, biographer, novelist, and encyclopedist of film, he has also made documentaries, written screenplays, and been a respected judge on the international film festival circuit. He is widely regarded as the greatest living writer on film. It is fitting, then, that after more than twenty books on cinema he has finally turned his attention to war, a matter whose scope and import across the history of film provides a true match for his gifts.

Ironically, in light of this impressive resumé, Thomson’s key experience of war came as a participant, not an observer, when, as a child in early 1940s London, his parents’ home in South London was bombed by the Luftwaffe. This experience was ‘invaluable’, he reflected in later life, not only in teaching him how ‘a state of war had always been there’, but in providing perspective on his own and Britain’s privations: ‘We were not invaded, or put out on the streets as refugees; we were not sent to camps … Our outrages were very small compared with those that were available not far away.’ This insight organises, illuminates, and sharpens Thomson’s analysis of how, over more than a century, cinema has restaged and recreated war, the moral and historical artifices this has entailed, the misleading narratives it has generated, and the dangers that lie therein for all of us.

Read more: Kevin Foster reviews ‘The Fatal Alliance: A century of war on film’ by David Thomson

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Claudia Hyles reviews ‘Growing up Indian in Australia’ edited by Aarti Betigeri
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Article Title: Toshakhana
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Don’t judge a book by its cover? There is no problem with this book. The cover and artist’s note, declaring inspiration from such diverse art forms as traditional Indian miniature painting, Indian matchbox design, and a ‘harmonious blend of Indian and Australian flora’, encapsulate the intertwining narratives and cultural crossovers of the stories within.

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Book 1 Title: Growing up Indian in Australia
Book Author: Aarti Betigeri
Book 1 Biblio: Black Inc., $32.99 pb, 263 pp
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Don’t judge a book by its cover? There is no problem with this book. The cover and artist’s note, declaring inspiration from such diverse art forms as traditional Indian miniature painting, Indian matchbox design, and a ‘harmonious blend of Indian and Australian flora’, encapsulate the intertwining narratives and cultural crossovers of the stories within.

The introduction by the editor, Aarti Betigeri, is headed by a sweet photograph, as are nearly all of the stories. Notes at the end of the book about the writers often reveal interesting lives shaped by childhood. The book is the latest in the Black Inc. Growing Up series and the first to appear under a national flag.

Read more: Claudia Hyles reviews ‘Growing up Indian in Australia’ edited by Aarti Betigeri

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