How many titles do you publish each year?

Each year we aim to publish one hundred new Australian titles across our children’s and general lists.

Do you edit the books you commission?

Structural edits only; authors deserve better editorial support than I could provide. We have a fabulous team of editors across both of our lists.  

What qualities do you look for in an author?

Besides skill and a dedication to their craft, I want to work with authors whose motivations are pure (not vain), who have a vision for where they want to go, and who will be good collaborators. 

In your dealings with authors, what is the greatest pleasure – and challenge?

Début novels are often the most difficult books to publish, but being on that journey with authors is immensely fulfilling. The greatest challenge is dealing with authors who have unrealistic expectations.

Do you write yourself? If so, has it informed your work as a publisher?

I was a working journalist for years, so I appreciate the benefit of good editing, and I try to ensure our authors feel that same support. In the past, I harboured a desire to write fiction (and it’s probably still harboured now, just deeper down). I often think that once I take my foot off the pedal of trying to create a successful business, I will write. More likely, though, I will just read what I want, when I want. 

What kinds of books do you enjoy reading?

All sorts, but when I do get to read recreationally (which is rarely), I get particularly excited about contemporary Irish fiction.

Which editors/publishers do you most admire?

Knowing what I do about how our industry is dominated by multinationals, I admire all independent Australian publishers for their chutzpah and creativity.

What advice would you give an aspiring publisher?

Find a partner like Keiran Rogers.

How significant, in a protean age, are book reviews?

Extremely significant for authors, not so much for publishers.

In a highly competitive market, is individuality one of the casualties?

I wouldn’t blame the competitive nature of the market for any lack of individuality. I think we are very lucky in Australia to have so many independent publishers and a passionate network of independent retailers who support them. If there’s any shortage of individuality, I’d say it is down to the fact that Australia is a niche market. It’s very difficult to be niche in a niche market.

What’s the outlook for new writing of quality?

Quality is in the eye of the reader, but I would say it’s bright – especially if at least some of the new Australia Council funding can be channelled towards publishers supporting authors of books that have cultural value but are not necessarily commercially viable.